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alea

octopus92

0/5

“Pour fans : Concert acoustique sans assistance enregistré en 1993 pour une radio américaine.”

Tracklist

Infos générales

Sorti en mai 1995

Anthony Phillips : guitares, claviers, chant

WhiteWinter

4/5

La première partie est une suite de quatre morceaux appelée “Gypsy Suite” et enregistrée un peu avant l’époque de “The geese and the ghost”.

La musique d’Ant, à cette époque, est énormément faite à base de guitares 6 et 12 cordes, comme au temps de “Trespass” et c’est ce que l’on entend ici.

Les trois premières parties de cette superbe “Gypsy Suite” sont plutôt reposantes, alors que la dernière, “The Crystal Ball”, est plus dynamique et c’est un très, très bon morceau.

La seconde partie est tout simplement constituée des premiers enregistrements du mythique “Tarka” à la même époque (1975 environ) avec juste Ant et Harry aux guitares et pianos.

Très intéressant pour observer le décalage et l’évolution de ce chef-d’oeuvre par rapport à l’album que l’on connait de 1988.

Tracklist

Contenu d’accordéon
Contenu d’accordéon
Contenu d’accordéon
Contenu d’accordéon
Contenu d’accordéon
Contenu d’accordéon
Contenu d’accordéon
Contenu d’accordéon
Contenu d’accordéon

Infos générales

Sorti en janvier 1995

Anthony Phillips : 6 et 12 cordes, piano, synthétiseur, orgue, percussions
Harry Williamson : 6 cordes, basse, echos, piano, harmonica, percussions, gliss

Produit par Anthony Phillips et Harry Williamson

Seb

4/5

Un excellent disque après deux disques moyens. Un tube immense : Over My Shoulder, une chanson titre qui fait plus que très bien tenir la route… Bref… pas grand chose à dire.

Tracklist

(Rutherford/Robertson)

I didn’t know when I was lucky
Discontented feeling bad
Filled with envy
For possessions other people had

I found my pride had always hurt me
Fought the world to gain control
Not realising
I was sitting on a beach of gold

Oh lord I’m a poor man
With all the riches I can hold
I’m a beggar
And I’m sitting on a beach of gold

The problems I encountered
Gave me strength helped me sustain
To know the pleasure
First I had to cure the pain

When I was searching for solutions
I found the answer lay in me
I’m a drifter
But I’m drifting on a silver sea

Oh lord I’m a poor man
With all the riches I can hold
I’m a beggar
And I’m sitting on a beach of gold

I didn’t have courage
My life was as dark as night
When alone in the darkness
I saw the brightest light
Let the light shine down

Are you out there now on empty
Feel you’ve nothing left to give
Sick of trying
Have you lost the will to live?

Don’t be drowning in the shallows
With the beach so near at hand
Hear the voice say
Stand up get up
And join me on the gilded sand

Come and join me on the beach
With all the riches I can hold
Cause I’m a beggar
And I’m sitting on a beach of gold

Oh lord I’m a poor man
With all the riches I can hold
I’m a beggar
I’m sitting on a beach of gold

My children my salvation
The father to this man
They’re my teachers
Playing on the golden sand

With my family all around me
I’ve all the riches I can hold
I’m a beggar
Sitting on a beach of gold

Oh lord I’m a poor man
With all the riches I can hold
I’m a beggar
Sitting on a beach of gold

(Rutherford/Neil)

And she pours herself another cup of coffee
As she contemplates the stain across the wall
and it’s in between the cleaning and the washing
That’s when looking back’s
The hardest part of all

And she always did her best to try and please him
While he always did his best to make her cry
And she got down on her knees to stop him leaving
But he always knew one day he’d say goodbye

Where are your friends
Where are your children
Is this your house
Is this your home
Does nothing ever last forever
Does everybody sleep alone

And he tears the business tags from his old suitcase
As he packs away the pieces of his life
They all love him but they always try to change him
That’s what happens when a girl becomes a wife

And she pours herself another cup of coffee
As the pictures leave a clean space on the wall
and it’s in between the leaving and the loving
That’s when looking back’s
The hardest part of all

Where are your friends
Where are your children
Is this your house
Is this your home
Does nothing ever last forever
Does everybody sleep alone

Don’t look back
Don’t give up
Pour yourself another cup

(William Robinson, Jr.)

I don’t like you but I love you,
Seems that I’m always thinking of you.
Oh, you treat me badly I love you madly;
You really got a hold on me,
You really got a hold on me, baby.
I love you and all I want you to do is just hold me,
Hold me, hold me, hold me.

I don’t want you but I need you,
Don’t want to kiss you but I need to.
Oh, you do me wrong now my love is strong now;
You really got a hold on me,
You really got a hold on me, baby.
I love you and all I want you to do is just hold me,
Hold me, hold me, hold me.

You tighter,
Tighter I want to leave you don’t want to stay here,
Don’t want to spend another day here.
Oh, I want to split now;
I can’t quit now.
You really got a hold on me,
You really got a hold on me.
Baby really got a hold on me,
I said you really got a hold on me.

(Rutherford/Neil)

You can’t forgive
And you won’t forget
We did something
That we both regret mea culpa

I held my breath while you
Took your time
To tell the world
What’s yours is mine mea culpa

You don’t need me
You don’t need anyone at all
You’ve got what you desired
You lit the fire
And watched the rise and fall

And in your eyes I could see my face
A non believer
In a state of grace mea culpa

I see no reason for your complaint
You got the sinner
And not the saint mea culpa

I can’t say much I can’t say anything at all
You tell the story well
Then you retire to watch the rise and fall

You never know what’s in your heart
Until you look
You never know what’s in your heart
Until you look
Take a look
Just take a look
Just take a look
Just take a look

Ad libs to fade

(Rutherford/Carrack)

Looking back over my shoulder
I can see that look in your eye
I never dreamed it could be over
I never wanted to say goodbye

Looking back over my shoulder
With an aching deep in my heart
I wish that we were starting over
Oh instead of drifting so far apart

Everybody told me you were leaving
Funny I should be the last to know
Baby please tell me that I’m dreaming
I just never want to let you go

Looking back over my shoulder
I can see that look in your eye
Turning my heart over and over
I never wanted to say goodbye

I don’t mind everybody laughing
But it’s enough to make a grown man cry
Cos I can feel you slipping through my fingers
I don’t even know the reason why

Every day it’s a losing battle
Just to smile and hold my head up high
Could it be that we belong together
Baby won’t you give me one more try
One more try

Looking back over my shoulder
I can see that look in your eye
I never dreamed it could be over
I never wanted to say goodbye

Looking back over my shoulder
Oh with an aching feeling inside
Cutting me up, deeper and deeper
Fills me with a sadness that I can’t hide

Looking back over my shoulder
I can see that look in your eye
I never dreamed no no it could be over
I never wanted to say goodbye

Looking back over my shoulder
I can see that look in your eye

(Rutherford/Neil)

Last night I shook hands with the devil
In a dream that I can never lose
He laughed when he saw me cryin’
At the pictures on the evening news
He said it’s not really a dilemma
You’re just a little out of touch
Don’t think of the situation
Cos it’ll make you think too much

Someone always hates someone
Someone always hates someone
Someone always sells a gun
Cos someone always hates someone

A child will be born tomorrow
As open as an empty cup
And we’ll fill it with hope and sorrow
The very things that messed us up
We’ll ask him to join the congregation
A hindu moslem christian or jew
Pretty soon he’ll recognise his brothers
But soon he’ll know the enemy too

Someone always hates someone
Someone always hates someone
Someone always buys a gun
Cos someone always hates someone

I died and I went to heaven
In a dream I never had before
A good friend who had gone before me
Had kindly left my name at the door
I looked on the face of the almighty
Couldn’t help myself
I started to shout
How come you made a mess of things
How come you didn’t work it out

He said
Someone always hates someone
Someone always hates someone
There’s so much love for everyone
But someone always hates someone

(Rutherford/Robertson)

It was an unbelievable night
She was an unremarkable girl
You may not call it poetry
But it changed my world

It was an unforgettable dawn
She was an indisputable fact
Even if I could have
I might not have it back

It’s an unexceptional day
She’s an unavoidable truth
Uncompromised elation
Suspended since my youth

It’s an unforgivable lie
I have nothing in my defence
There can be no forgiveness
To caution this descent

It wasn’t in a dream
A film or on TV
This was really happening
Happening to me
Though I may protest
Suggest I never knew
The ghost comes back to haunt me
The ghost of sex and you

I held her hand outside the hotel
Kissed her mouth in the back of the car
Whether fact or fantasy
I knew we’d gone too far

I feel her breath on the back of my neck
She’s lying naked here on the floor
Wrap the sheet around her
Disappear beyond the door

It wasn’t in a dream
A film or on TV
This was really happening
Happening to me
Though I may protest
Suggest I never knew
The ghost comes back to haunt me
The ghost of sex and you

It was an unbelievable night
She was an unremarkable girl
You may not call it poetry
But it changed my world
The ghost of sex and you

It was an unforgettable dawn
She was an indisputable fact
Even if I could have
I might not have it back
Sex and you

It’s an unexceptional day
She’s an unavoidable truth
Uncompromised elation
Suspended since my youth
Sex and you

It’s an unforgivable lie
I have nothing in my defence
There can be no forgiveness
To caution this descent
The ghost of sex and you

(Rutherford/Carrack)

Just a minor indiscretion
No need to apologise
I don’t want this to become an obsession
But I just can’t believe my eyes

Evidence in my possession
Points a finger straight at you
Every day I’m closer to a confession
If only I can face the truth

Every mistake that you make
Drives the knife into my heart
Twisting down deeper and deeper
Still tearing me apart

I’m trying to find a grain of truth in this web of lies
I’m trying to find a grain of truth in this web of lies

You swear to god you’re on the level
And you’ve nothing more to hide
Then I turn around and “speak of the devil”
You’re both together side by side

Every mistake that you make
Seems more careless than the last
I’m just amazed that you try to cover
The tracks of your past

I’m trying to find a grain of truth in this web of lies
I’m trying to find a grain of truth in this web of lies

Have you got me in your pocket?
Am I eating from your hand
I think we need to shed some light on the matter
So I can really understand

Darlin’ there’s no perfect crime
That’s left without a trace
And right now I’m judge and I’m jury
Till I can rest my case

I’m trying to find a grain of truth in this web of lies
I’m trying to find a grain of truth in this web of lies

(Rutherford/Robertson)

I’d like my life to be simple
I need my life to be straight
I’d like to see my existence
Going great going great
Going great great great

I want my life to be easy
Need my life to be pure
I want to see my success is
Guaranteed that’s for sure
That’s for sure sure sure

Give me the simple life
The plain and the simple life
You’ve got to give me the simple life
The plain and the simple life

Don’t want my life to be anxious
Don’t need my life to be tense
I’d like to see my existence
Making sense making sense
Making sense sense sense

I’d like my life to be simple
Like my life to be plain
So don’t you say that I ever
Live in vain live in vain
That’s insane sane sane

Give me the simple life
The plain and the simple life
Give me the simple life
The plain and the simple

Give me the simple life
The plain and the simple life
Give me the simple life
The plain and the simple

(Rutherford/Neil)

There’s a silver moon
Shining in the room
Where we sleep like spoons together
Lying in the dark
I can feel your heart
And it beats with mine forever

Coming from the street
You can feel the heat
As the city sleeps
In the silence
And the perfect light
Of a summers night
Is broken by the violence

Then a woman screams
And a baby cries
And someone’s dream is shattered
When the nightmares dance
Before your eyes
They can leave you bruised and battered

Then I realise
That I’m by your side
And I’m listening to you breathing
And in this room
With the silver moon
You’re something to believe in

There’s a boy out there
With a crazy stare
And a gun to make a living
In a sea of hate
Where you can’t think straight
In a world that’s unforgiving

And it’s all gone bad
In a world gone mad
And you’re scared that you’ll discover
That the one you love
And the one you trust
Is like all the others

Then I realise
That I’m by your side
And I’m listening to you breathing
And in this room
With the silver moon
You’re something to believe in
You’re something to believe in

And in this room
With the silver moon
You’re something to believe in

(Rutherford/Robertson)

There may be some things about me
Things you don’t want to hear
For the rumours that precede me
May be very true I fear

They tell you I will deceive you
I don’t know how to care
Though my intentions might be good
There’s another darker look beware

When you walk through the door
Hang on to your senses
At best you must assume
It’s a house of many rooms

Some rooms are filled with pleasure
Laughter and love and light
All the things you never see
I keep under lock and key at night

When you walk through the door
Hang on to your senses
At best you must assume
It’s a house of many rooms

If you love me in the light
Love me in the shadow
I’m afraid you must assume
It’s a house of many rooms
A house of many rooms

It’s a house that’s so unstable
There are those who recommend
If they’d the strength and they were able
It ought to be condemned
I don’t agree but I will warn you
At best you must assume
I live in a house of many rooms

Here I’m in the library
Trying to understand
What empowers this behaviour
Degenerates the man
The same apartment later
With the bottle half consumed
I see a house of many rooms

In the parlour I’m your father
Who could ask for more
The bedroom compromise me
With your best friend from next door
In the kitchen being honest
The lounge a lying tongue
Locked in the bathroom
Pretending to be young

The chapel finds me kneeling
Praying for my soul
The painting in the attic
Can’t prevent me growing old
Help me live forever
Silent as a tomb
I live in a house of many rooms

Join me at the dining table
Join me at the feast
Join me in the stable
I’m laying with the beast
You’re walking in the garden
Oblivious who’d know?
I’m in the cellar ready to explode

(Yvonne Wright/Stevie Wonder)

Shattered dreams worthless years
Here am I encased inside a hollow shell
Life began then was done
Now I stare into a cold empty well
The many sounds that meet our ears
The sights our eyes behold
Will open up our merging hearts
And feed our empty souls

I believe when I fall in love with you
It will be forever
I believe when I fall in love this time
It will be forever
Without despair

We will share and the joys of caring
Will not be replaced
What has been must never end
And with the strength we have
Won’t be erased
When the truths of love are planted firm
They won’t be hard to find
And the words of love I speak to you
Will echo in my mind

I believe when I fall in love with you
It will be forever
I believe when I fall in love this time
It will be forever
Ever, ever, ever

I believe when I fall in love with you
It will be forever
I’m so glad that I found someone
To believe in again

God surely answered my prayer
God surely answered my prayer
You know god surely answered my prayer
You know god surely answered my prayer
God always will answer your prayers
Believe in one who will answer my prayer
Thank you god

I believe when I fall in love with you
It will be forever
I believe when I fall in love with you
It will be forever

Come on let’s fall in love
You’re the woman I’ve been waiting for
Come on let’s fall in love
You’re the girl that I really adore
Come on let’s fall in love
Come on baby let’s fall in love
Come on let’s.

(Rutherford/Neil)

Going going home
I hold a memory I can’t let go
Going going home
Going going home

You’re long ago
And far away
But I can still remember you

Going, going home
I’ve got a memory that I can’t let go
And I know I won’t be alone
I’m goin’ home

The ones I love will all be there
And I can see their smiling faces

Oh I’m giving in
It’s like living in a war
It can’t be right
And I can’t fight this world
No more

I don’t care where this highway goes

Going going home
I know I won’t be alone
I’m going
I’m going home

I know you’ll always wait for me
And now I’m going back to you

Oh I’m giving in
It’s like living in a war
It can’t be right
And I can’t fight this world
No more
I don’t care where this highway goes

Infos générales

Mike Rutherford : guitares, basse, claviers
Paul Carrack : chant, claviers, coeurs
Paul Young : chant, coeurs
Peter Van Hooke : batterie
Gary Wallis : batterie
Adrian Lee : claviers
Wix : claviers
BA Robertson : claviers
Clem Clempson : guitare
Andy Newmark : batterie
Tessa Niles & Katie Cassoon : coeurs
Pete Beachill : arrangements de cuivre
Rich Mendelson & Dave Frangioni : programmation de boucle de batterie

Produit par Christopher Neil et Mike Rutherford

Ingénieur du son : Paul Gomersall assisstant : Mark Robinson
Enregistré à The Farm 1994 (assistant technique : Geoff Callingham, Mike Bowen)
et The Manor, UK
Programmation : Dale Newman
Enregistrement et mixage sur les chansons 3 et 12 : Nick Davis
Mastering par Bob Ludwig, Gateway Mastering Studios, Portland Maine

Sorti en 1995

1995 Over My Shoulder/Something To Believe In/Always The Last To Know
1995 A Beggar On A Beach Of Gold/Boys At The Front/Little Boy/Help Me/Nobody Told Me
1995 Another Cup Of Coffee/You Never Change/You Don’t Know What Love Is

Seb

4/5

J’adore ce disque, malgré ses sonorités très “cheap” (le solo de guitare au clavier dans la chanson titre, il fallait oser !!!). Pour une fois, la voix du chanteur ne me dérange pas trop, bien qu’elle soit un peu passe partout quand même. Je n’ose imaginer le résultat avec des arrangements de Phil et la voix de Ray ou Fish sur toutes les chansons !!!! À noter l’immense morceau qui finit le disque “An Island In The Darkness” qui est pour moi le meilleur morceau de la carrière de Tony, et ce n’est pas à cause de ses 17 minutes et quelques. Le piano est sublime et la mélodie vocale somptueuse. Rien à jeter. Si seulement Ray ou Fish…….

Tracklist

(Banks)

I could be a tiger
A loser or a fighter
A man or mouse
You don’t see me

I could be a wonder
An alien among you
But you won’t know
Can’t you see, can’t you see

I stand in open sunlight
I scream and shout
I warn you don’t turn your back on me
You look right through me
Like I’m some chameleon
Don’t turn your back on me

I could be the thin man
Maybe a sumo wrestler
For all you know
For all you care

I could be a genius
Normal or just curious
Why don’t you care
Hear me cry, hear me cry

I stand in open sunlight
I scream and shout
I warn you don’t turn your back on me
You look right through me
Like I’m some chameleon
Don’t turn your back on me

(Banks)

To be here with you alone beside me
Is to leave the world behind
To desire and to hold
To have longed for and be told

I see you, I see no one else at all
In my life, in my heart for evermore
Words of comfort, walls of sound
Unseen and secret, all around, all around

I never saw myself as one to stir or warm
Or believed this could ever be
But you are here you are real
You are all that I could wish

I see you, I see no one else at all
In my life, in my heart for evermore
Words of comfort, walls of sound
Unseen and secret, all around, all around

The stars are out in our world tonight
We can reach and touch them
Forever in their light

In the glare of cold and truthful morning
And not just in candlelight
You remain as the one
That I build my world upon

I see you, I see no one else at all
In my life, in my heart for evermore
Words of comfort, walls of sound
Unseen and secret, all around, walls of sound

(Banks)

She was an only child
With her body and mind she had to much attention
Too much of everything
She was an angel child
But the devil within her would test her on the way

Into the dark filled places underground
She entered in forbidden rooms
Only seventeen

All alone so alone
All alone so alone

Into the tunnel and back toward the light
That shines between the fingers of dark
The light that shines showing the way to the start

She was an only child
She had so far to fall then so far to climb
To get to the light again
She was a special child
She know what was coming but she know she could not turn

Back in the dark filled rooms
One of a crowd but more than on her own

All alone so alone
All alone so alone

Into the tunnel and back toward the light
That shines between the fingers of dark
The light that shines showing the way to the start

Only seventeen somewhere in between

The race is almost over now
The dance is almost done
Remember how it was when it was fun?

All alone so alone
All alone so alone

Into the tunnel and back toward the light
That shines between the fingers of dark
The light that shines showing the way to the start

(Banks)

In the silence of the night, a serpent shape
Moves its way across the stony floor
In the comfort of your life, the serpent said,
You know that you could have still more,
Picture where you want to be
The door is open wide
Don’t you really want to know?

Don’t you want to know how it feels
To see if it’s all worth trying?
You want to know how it feels

Don’t you want to rule the world a little bit,
Who to help and who to leave to swim?
You could better everything, the serpent said,
In your own peculiar way,
History would honour you
No matter what you did
Don’t you really want to try?

You want to know how it feels
And see if it’s all worth trying
You want to know how it could feel,

In the silence of the night, you lie awake,
Turning over in your mind the words:
If at first you lack the nerve, the serpent said,
You could always try again.
And now left upon your own
Has nothing changed at all
Do you really want to know?

You want to know how it feels
And see if it’s all worth trying
You want to know how it could feel,
To be the one.

(Banks)

The key is in the front door
The clock is on the wall
The coals are in the fireplace
Nothing has moved at all
But as you look around you
Still nothings quite the same

The windows are cracked the curtains are torn
Your life disappoints if you want to be free
Hold me never let me know

Do you stand upon the station
Or are you on the train
Do you want to vanish
Or could we begin again
Do I just imagine
Or is it really true?

You want to be free to be on your own
To start a new life you want to leave me
Hold me never let me know

Never let me know
Never let the world we share together
Tumble, be destroyed
Never let me know
Always keep our dreams and memories
Cherished in your heart

On the road we travel
Sometimes I feel I know
You’d rather walk without me
Please say it isn’t so
Just put your arms around me
And never let me go

Without you the world would be cruel and cold
It cannot be true that you want to be free
Hold me never let me go

Put your arms around me never let me go

(Banks)

You think you’re safe from all that’s gone before
No one can touch you now for evermore
It’s out of sight but not out of your mind
You cannot lose it you can only pretend
This is the end my friend this is the end

You’re a great example to us all
A pillar of society, that’s for sure
But I hear those bones shake behind the cupboard door
And I know the combination to free them once more
This is the end my friend this is the end.

I don’t need no one to spy
Telescope or private eye
Cos I know, yes I’ve know it all the while

You go to goodwill functions, charity balls
You walk with royalty in presidential halls
But in your soul a voice is screaming to be heard
No matter how you try it cannot be deterred
This is the end my friend this is the end

I don’t need no one to spy
Telescope or private eye
Cos I know, yes I’ve know it all the while

I hear your modest tones upon the radio
And I see you public face an all-convincing show
You know who you are and where you’re coming from
You know what the future hold you cannot always run
This is the end my friend this is the end

I don’t need no one to spy
Telescope or private eye
Cos I know, yes I’ve know it all the while

You think you’re safe from all that’s gone before
No one can touch you now for evermore
It may be hid but in spite of it all
It’s there in neon letters ten feet tall
This is the end my friend this is the end

(Banks)

And when in times like these so much is secondhand
But somehow passed off as the new
You need to believe some things are worthwhile

Too weak to break out from the hold that pins you down
To loose the voluntary chains
Too strong to concede and leave the field

Never let them get you down
Never let them get you down
Tell them all that you don’t care
Tell them all that this, it’s what you live for
You’d die for
Something to live for
Die for
Shut your eyes then you won’t see
Close your ears then you won’t hear
You won’t care

With honeyed words and oiled smiles the wheels turn
But still we’re running out of steam
Too much to contain prepare for breakdown
The land beside the road is littered with the wrecks
Of those who tried to make it round
But to make it through it’s what you must do

Never let them get you down
Never let them get you down
Tell them all that you don’t care
Tell them all that this, it’s what you live for
You’d die for
Something to live for
Die for
Shut your eyes then you won’t see
Close your ears then you won’t hear
You won’t care

(Banks/Hues)

A street in Paris in the rain
I shoot in black and white a hundred frames
I watch your make-up
Begin to run

You show a strange unease
But you’re my subject and it’s me you please
I feel your spirit freeze
As the shutter clicks down

We are in heaven now
As if we broke the bonds of earth somehow
Here for eternity
A piece of you is part of me

I know you’ll never leave
Cos like a primitive I do believe
I have you spirit seized
As the shutter clicks down

We are in heaven now
As if we broke the bonds of earth somehow
Here for eternity
A piece of you is part of me

We are in heaven now
As if we broke the bonds of earth somehow
You’re under my control
Because I’ve captured your immortal soul
Don’t look for signs
Your spirit shines
Here till the end of our days

And now in Paris in the rain
I put the camera in its case again
And in those hundred frames
Another moth to the candle flame

We are in heaven now
As if we broke the bonds of earth somehow
Here for eternity
A piece of you is part of me

(Banks/Hues)

I want to tell you all about a young man
He’ll be known as Dan
Then he was living down in San Diego
Drove an ice-cream van
One night he met a girl in Club Alamo
But she was strictly incognito

They had a drink and when he asked her name
She told him Jennifer
But what he didn’t realize as he was
Dancing close to her
He held the body of a waitress called Kaye
Who used to live in Sacramento
They danced right through the night and into the day
Remaining strictly incognito

He drove her home in the sunlight of morning
He held her close in the car
But fourteen year old Sara Lee was watching
She knew he’d gone much too far

Poor Dan a simple man he just failed to see
It wasn’t Jennifer who kissed him
Cos when Dan took her hand he held Sara Lee
She knew that she could convict him

So Dan got ten years to dream in state detention
And lost the use of his car
And all because his waitress Kaye forgot to mention
It’s not always clear who we are

Now she’s waiting tables in Paloma
Near the Four-O-Five
And there’s another twenty-eight personas
Keeping her alive
Next time your waitress looks you right in the eye
You’d better exercise your veto
And keep your mind right on that blueberry pie
Remaining strictly incognito

(Banks)

Like a fuse to the end will burn
Like a wave when the tide has turned
You keep on coming regardless
You won’t accept defeat

And in the light of a cold grey dawn
When all seemed lost and you felt so forlorn
You sensed a warmth surround you
And now you find you’re
No longer on your own

It’s impossible unbelievable news
It’s impossible but it’s true

You never thought you would ever be here
You never even dared to hope you would ever be here
In a world you used to dream of
And watch from afar

After all of the time gone by
Searching fruitlessly asking why
It’s hard to stop the trying
To truly realize

That all the pain all that’s gone before
Lies behind and you can close the door
In the past forever
No need to worry
No need to fear at all

It’s impossible unbelievable news
It’s impossible but it’s true

You never thought you would ever be here
You never even dared to hope you would ever be here
In a world you used to dream of
And watch from afar


In every minute of every hour so many dreams die
Do you believe it will be any different this time
This dream will last forever
This day will never end

Now the fog surrounds you
Swirling all around you
Confusing all your senses
All you see are phantoms
Always just out of reach
They tantalize and beckon
Seduce but without promise
You don’t want to be here anymore
You don’t want to be here to take it anymore
Now the water rises
It takes you where it will
You cannot choose direction
Or control the motion
And in the end you’re thrown up
On an island in the darkness
Nothing is familiar
Tell me are you frightened on your own
Do you have the will to carry on?

Infos générales

Musiciens :
Tony Banks : clavier, synth guitare, synth basse, programmation batterie
Jack Hues : chants, guitare
John Robinson : batterie
Daryl Stuermer : guitare
Nathan East : basse

Produit par Tony Banks et Nick Davis
Ingénieur du son : Nick Davis assisté par Mark Robinson
Enregistré à The Farm, Surrey
Assistance Technique : Geoff Callingham & Mike Bowen
Mastering par Bob Ludwig au Gateway Studios, Porland, Maine

Sorti en septembre 1995

1995 – Only Seventeen/The Serpent Said
1996 – Walls Of Sound/Back To You/Only Seventeen (Instrumental)

0/5

Seb

Je n’ai pas cet album. Cependant il n’est pas trop dur d’en parler. D’abord parce que c’est l’album qui a fait connaître Ray, avant Genesis, grâce au tube mondial, LE tube de la carrière de Ray : Inside, repris pour une marque de Jeans. C’est le dernier album de Ray avant Calling All Stations. Par ailleurs, Ray reprend souvent sur scène les morceaux de ce disque : Footsteps, Rest in peace, l’excellent Sunshine and butterflies, et évidemment Inside. Ces 4 là suffisent à conseiller cet album.

Tracklist

Swing low in a dark glass hour
You turn and cower
See it turn to dust
 
Move on a stone dark night
We take to flight
Snowfall turns to rust

Seam in a fusing mine
Like a nursing rhyme
Fat man starts to fall

Year in a hostile place
I hear your face
Start to call

And if you think that I’ve been losing my way
That’s because I’m slightly blinded
And if you think that I don’t make too much sense
That’s because I’m broken minded
Don’t keep it…
Inside
If you believe it
Don’t keep it all inside

Strong words in a Ganges sky
I have to lie
Shadows move in pairs
 
Ring out from a bruised postcard
In the shooting yard
Looking through the tears
 
Out of the black slate time
We move in line
But never reach an end
 
Fall in a long stray town
As the ice comes down
Rivers start to bend

And if you think that I’ve been losing my way
That’s because I’m slightly blinded
And if you think that I don’t make too much sense
That’s because I’m broken minded
Don’t keep it…
Inside
If you believe it
Don’t keep it all inside

Into a room
Old curtains broken chairs
I walk in through
Dust on the wooden stairs

Stone by the trees
Lost days and faded names
Pain in my throat
No river stays the same

They won’t be here anymore
They won’t be here anymore

When time was new
Long days and laughing eyes
Walk through the fields
Sunshine and butterflies

A fragile place
Nothing ever stays for long
A foreign land
Take right and make it wrong

They won’t be here anymore
They won’t be here anymore
It’s all lost to the wind
They won’t be here anymore

Into a room
Old curtains broken chairs
I walk in through
Dust on the wooden stairs

They won’t be here anymore
They won’t be here anymore

Each night I taste the silence
Of the words in my throat
Each day we hide in laughter
When they turn round and float

Do you lie back and think of England
As they shout in your face
Stand up and give them flowers
Mary full of grace

Temper’s out of control again
There’s an itch in my soul again
If I scratch it I will rest in peace

Each day I’m in the future
Of a net curtained past
Each day I’m out of pocket
Time didn’t last

Each night I wake up smoking
And my eyes start to sting
Wish I could keep them open
When the trees start to sing

Temper’s out of control again
There’s an itch in my soul again
If I scratch it I will rest in peace

Each night I taste the silence
Of the words in my throat
Each day we hide in laughter
When they turn around and float

Temper’s out of control again
There’s an itch in my soul again
If I scratch it I will rest in peace d’accordéon

You take him places I can’t go
You tell him things I don’t know
And even when the bonds hold fast
You make me hate the past

Walking in your footsteps
I used to walk by your side
How could you leave me
On the very edge of suicide
Suicide…

He leaves you traces I can see
He takes the things you gave to me
And even in the coldest place
I’m just an empty space

Walking in your footsteps
I used to walk by your side
How could you leave me
On the very edge of suicide
I’m lost without you
But well I know you go on your own way
You never needed me no matter what you say

Walking in your footsteps
I used to walk by your side
How could you leave me
On the very edge of suicide
Suicide… d’accordéon

A matter of empty gestures
A question of circumstance
But only fools turn
You gave without a question
You spoke without conceit
I had too much to learn

We’ll be together
We’ll be together
We’ll be together when my ship comes in

I meant to take it further
I meant to hide your fears
I’m down with all the lice
I want to make it better
I want to sink your pain

Every beggar is Christ

Chorus

Every beggar is Christ

Chorus

I hear you in the darkness
Deep heat from your tears
I don’t want to be divided

I wish I could lose myself
I wish I could un-meet you
I don’t want to be divided

Chorus d’accordéon

See me shed my mind as I leave to find the circles
When the gilded tongue of the eldest son I ask her
And I inch a smile as I take a mile from their longings
And they form a chain in the fleeting rain as I leave them

I don’t want to be responsible

Look at me now in my real skin
Made a vow in my real skin
Shed it now keep coming in
Here for now in my real ski

I saw a picture frame tied to a horse
I saw the crystal night out on the concourse
And the ancient trees of the bended knees will fracture
And we double take at an empty wake and leave them

I don’t want to be responsible

Chorus

Round and round and round and round
Round and round and round and round

I don’t want to be responsible
I don’t want to be responsible

Look at me now
Look at me now

Chorus d’accordéon

ContenuI guess I could if I wanted
I guess I could if I wanted
I guess I could if I wanted

I don’t mind if it’s all an illusion
Nothing really there
I don’t mind if it’s all lost in sandstone
Or riding on the air

In the night I know that it’s true
In the night I know that it’s true
In the day I get confused
But in the night I know that it’s true

I guess I could if I wanted
I guess I could if I wanted
I guess I could if I wanted

I don’t mind if I lose all you gave me
You’d never know
I don’t mind if you stay on the outside
Nothing here to show

Chorusd’accordéon

Contenu I see your voice
You’re scared of a ghost
Take what you had
From pillar to post
I stand beside you
And look in your eyes
And if you’re dead its no surprise

I hear you
I hear you
Words don’t be afraid
Words don’t be afraid
Don’t be afraid

They live your life
Through the core of the tune
Under advice
You take it too soon
They steal your name
Turn in your grave
Their armies march there’s nothing to save

Now your ideas
Are rolling in dust
And all you fought
For those who won’t trust
Take your inversion
And turn it around
Paint your perversion and hide it in sound

I hear you
I hear you
Words don’t be afraid
Words don’t be afraid
Don’t be afraid
Don’t be afraid anymore when they turn out the night
Don’t be afraid in the dark and the light
Don’t be afraid anymore at the sound of the sea
Don’t be afraid

Chorus repeat

I’ve been shouting in my sleep
Watch my goats turn into sheep

And if you find some way
To change your mind
Change your mind for me
And if you find yourself
Stuck on the line
Turn around to me
And if you find some time
To be alone
You can find some time for me
Open up your bleeding arms
And take it out to sea
Out to sea

Those who loose without a trace
Those who stare out into space

If you find some time… d’accordéon

(note de seb : supposé instrumental vu que je ne trouve pas les paroles et que je n’ai pas le disque) d’accordéon

You’ve got to run to me
You’ve got to hide from me
You’ve got to look to me
You’ve got to close your ears

You’ve got to be like me
You’ve got to change from me
You’ve got to smile to me
You’ve got to cry your tears

Rhyme America
Rhyme America
Rhyme America
America is me (I’m in America)
America is me (I’m in America)

You’ve got to see through me
You’ve got to feel for me
You’ve got to kill for me
You’ve got to save my life

You’ve got to sell to me
You’ve got to buy from me
You’ve got to watch with me
You’ve got to hide your eyes

Chorus d’accordéon

Infos générales

Sorti en 1994

octopus92

0/5

“Moyen : Mélange de pièces pour documentaires et d’archives diverses.”

Tracklist

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

Contenu d’accordéon

(instrumental)

(instrumental)

(instrumental)

A beggar, clad in loincloth
Stood outside the temple gate
A simple man, some shepherd from the hills – 
He’d lost his sheep.
Upon his knees he fell 
As the scribes and priests passed by,
His eyes a well of sorrow deep and fast
And as he knelt,
His thoughts returned to wander
Down a bridgeway to the past
And in a trance, his ark of dreams set sail.
 
“King of the hills with my Queen by my side
She was fair as a pearl, her beauty so wild and free,
Those tears just shed for me are now dry
For she is gone.”
 
Awaking from his vision
Bright splendour burnt his eyes.
A Princess in a golden coach went by – 
He knew that face.
And as he gazed in wonder,
He saw the Prince reach out
And taste the ruby beauty of her lips – 
The wine of life.
The beggar, blind with madness,
Cried a name for all to hear
And in the silence of her gaze he spoke…
 
“King of the hills with my Queen by my side
She was fair as a pearl, her beauty so wild and free,
Those tears just shed for me are now dry
For she is gone.”
 
“Poor Fool”, soft came the answer
“What is past is but a dream,
The snows must pass that
Spring may be revealed”
Then he replied…
“I believe the past was real
And I live my life by this
That love once shared now
Cannot be denied – though fade it may.
If I could reach you now
What treasures would you bring?
Would they change me from
A Beggar to a King? – if this could be – 
Let all the world be beggars
Begging love from marble Queens,
Not those who steal
The soul of love then flee – 
For these are Thieves.”

Infos générales

Sorti en juin 1994

Anthony Phillips : guitares, claviers, chant (14)
Martin Robertson : sax soprano (8)
David Thomas : guitare classique (14)
Ronnie Gunn : harmonium (14)

Produit par Anthony Phillips

octopus92

0/5

“Pour fans de synthés : Recueil de pièces dans le cadre de documentaires pour une course de bateaux. Agréable mais sans génie…”

Tracklist

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

Infos générales

Sorti en mai 1994

Anthony Phillips : guitares, claviers, boîte à rythmes
Joji Hirota : percussions (7 & 21)

Produit par Anthony Phillips

octopus92

1/5

“Album hommage aux guitaristes de blues.

Un disque à part dans la discographie de Steve.

Personnellement, je le trouve complètement hors-sujet car :
1) la section rythmique de l’album, par ailleurs excellente, est très rock et semble incapable de jouer avec le feeling approprié
2) le jeu de Hackett, même s’il y a des glissandos, ne s’est jamais apparenté au blues dans tous les albums auxquels il a participé auparavant.

Reste la surprise de le voir oeuvrer avec réussite à l’harmonica.”

WhiteWinter

4/5

“Album dans lequel Steve prouve son amour jusque là bien caché pour des artistes tels que Johnny Winter, John Mayall…

Même si c’est vrai que la rythmique n’est souvent pas très adaptée, n’en demeurent pas moins d’excellents titres comme “Love of another kind”, “Big Dallas sky” (une des deux seules compositions collectives de l’ensemble), le duo harmonica-clavier “A blue part of town”… Steve sait aussi la jouer dans un registre plus aventureux comme “Tombstone roller”, ambiancé à souhait.

Bref, pas son meilleur album, loin de là, simplemtn un petit plaisir qu’il s’est accordé, et il faut le prendre comme tel.”

Tracklist

Well, I was born in Chicago
Back in ninteen and forty one
I was born in Chicago
Back in ninteen and forty one
When my father told me
Son you had better get a gun

Well, my first friend went down
When I was seveteen years old
Well, my first friend went down
When I was seveteen years old
Well there’s one thing you can say about that boy
He got the home

My second friend went down
When I was twenty one years old
Well, my second friend went down
When I was twenty one years old
There’s one thing you can say about that boy
He gonna break

The blues are alright
When there’s someone left to play the game
Well, the blues are alright
When there’s someone left to play the game
All my friends are goin’
And things just don’t seem the same

No things don’t seem the same, babe

(instrumental)

The joint is jumpin’ all the time
Something running through my mind
There was a pretty face on the floor
Stood there wond’rin if I could score

She said,
Too many people knockin’ on my door
When I answer they still want more
You look dif’rent from the other guys
Ain’t a lover but another kind

I walked her home it took all night
I never notice the mornin’ light
Maybe I’ve changed I can’t quite say
I had to see her for another day

She said,
Too many people knockin’ on my door
When I answer they still want more
You look dif’rent from the other guys
Ain’t a lover but another kind

Now I see that girl all the time
Just to know that she is mine
Can’t you see that I’m a changed man
I see that girl whenever I can

She said,
Too many people knockin’ on my door
When I answer they still want more
You look dif’rent from the other guys
Ain’t a lover but another kind

Dreamin’ of the rose
I left behind
Starin’ at these four walls
It’s time to hitch a ride
To find me way down south
To find me way down south
To find me way


City’s like a ghost town
They can all go to hell
One thought that’s with me
To see that southern belle
To find me way down south
To find me way down south
To find me way

Blue in the mornin’
My empty bed
That’s why I’m goin’
Where angels fear to tread
To find me way down south
To find me way down south
To find me way

(instrumental)

(instrumental)


Take your hands off my tombstone
Six feet under I’m dead and gone
Said someone dancin’ on your grave
Kick up the dust and live again

Hundred ways that a man can die
He come back if he’ll really try
Said sunlight on the water’s edge
Shake off the dust and live again

Said new born baby
Well I don’t mean to tease
He sleep all night and he cry all day
Blue-eyed boy how still he lay
Shake off the dust and live again

Blues with a feeling
That’s what I have today
Blues with a feeling
That’s what I have today
I’m gotta find my woman
If it takes all night and day

What a lonesome feeling
When you’re by yourself
What a lonesome feeling
When you’re by yourself
When the woman that you’re lovin’
Has gone off with someone else

You know I love you baby
Tell you the reason why
You’ve gone and left me baby
Left me here to cry

Blues with a feeling
That’s what I have today
I’m gotta find my woman
If it takes all night and day

What a lonesome feeling
When you’re by yourself
What a lonesome feeling
When you’re by yourself
When the woman that you’re lovin’
Has gone off with someone else

You know I love you baby
Tell you the reason why
You’ve gone and left me baby
Left me here to cry

Blues with a feeling
That’s what I have today
I’m gotta find my woman
If it takes all night and day

In all those deserted farms
I searched for ya
In the drivin’ rain most nights
Feeling like a ghost
Movin’ on the scene
Through every street and lane
Then I saw you one day
Laughin’ under that big Dallas sky

After you went away
I thought I’d never see your face again
Ships that pass in the night
Thought I’d make my way up north
Go get a steady job
Work with my hands if the occassion calls
The west Texas wind
Kept calling me back
Through Chinatown and the east river
To that big Dallas sky

I knew I’d find you in a bar someplace
Pretending you never knew the stranger at the door
But the other customers were wise to that game
I knew you’d come runnin’ sooner or later
Not because of my sweet lovin’ arms
And not because of how I held you that night
But because of that big Dallas sky

(instrumental)

So many roads
So many trains to ride
So many roads
So many trains to ride
I’ve gotta find my baby
Before I’ll be satisfied

I was standing at my window
When I heard that whistle blow
Standing at my window
When I heard that whistle blow
Well it sounded like a straigtline
But it was a B & O

He was a mean old fireman
And a cruel old engineer
Yeah a mean old fireman
And a cruel old engineer
That took my baby
And left me standin’ here

I see danger in your eyes
Are you takin’ me for a ride
Runs so deep cuts so wide
Opens wounds deep inside

Put my feet on solid ground
Put my feet on solid ground

Feels like an earthquake comin’
When you’re givin’ me all your lovin’
It’ll fall the city when it comes
Hits me like a million tons

Put my feet on solid ground
Put my feet on solid ground
Put my feet on solid ground
Put my feet on solid ground

Yes we they take’em back and then
Don’t hold back and don’t pretend
Gimmie, gimmie gimmie friend
Do it once and do it again

Put my feet on solid ground
Put my feet on solid ground
Put my feet on solid ground
Put my feet on solid ground

Infos générales

Sorti en 1994

Steve Hackett : chant, guitares, harmonica
Julian Colbeck : claviers
Doug Sinclair : basse
Hugo Degenhardt : batterie
Dave Taif Ball : basse (3, 4)
Jerry Peal : orgue (3)
The Kew Horns : cuivres (6, 7, 11)

Produit par Steve Hackett

Seb

5/5

L’album live suivant la tournée “Us”… Pas de surprises, un son excellent, un très bon choix des morceaux, beaucoup de pêche, de très bon musiciens et une ambiance totalement différente de celle de Plays Live. On a presque du mal à croire que ce soit le même artiste qui a pu donner des concerts aussi différents. D’ordinaire je trouve toujours les versions live supérieures au version studio. Il y a une exception notable ici : Red Rain, qui ne rend pas justice un dixième de seconde à la version Live. Mais bon, c’est pas bien grave et c’est juste un détail !

Tracklist

1 : Come Talk To Me (live)

2 : Steam (live)

3 : Across The River (live)

4 : Slow Marimbas (live)

5 : Shaking The Tree (live)

6 : Red Rain (live)

7 : Blood Of Eden (live)

8 : Kiss That Frog (live)

9 : Washing Of The Water (live)

10 : Solsbury Hill (live)

11 : Digging In The Dirt (live)

12 : Sledgehammer (live)

13 : Secret World (live)

14 : Don’t Give Up (live)

15 : In Your Eyes (live)

Infos générales

Sorti en Août 1994

Produit par Peter Gabriel
Enregistré les 16 et 17 Novembre 1993 à Modena, Italie

octopus92

4/5

“Premier vrai album studio rock de Steve publié depuis 10 ans.

Alternant compositions acoustiques avec le claviériste Aron Friedman et compositions rock plus musclées, un bon opus surtout dans la réédition de Camino qui a changé l’ordre des morceaux (et l’excellente idée de débuter par le superbe instrumental “Sierra Quemada).

Le chant de Steve, point faible de ses albums rock, trouve ici enfin un dosage subtil entre fragilité et rudesse.

Un retour à des ambitions évidentes (l’amusant “Vampyre with a healthy appetite”) après, soyons honnêtes, plusieures errances de style (appartées acoustiques mises à part)”.

WhiteWinter

5/5

“Le grand retour de Steve en studio, après de loooooongues années d’absence. Curieusement, je n’accroche, comme pour [i]Till we have faces[/i] pas du tout non plus au “nouvel” ordre des chansons, mais ça n’entâche en rien l’amour que je porte à cet album.

Il faut dire que j’ai été nourri à l’ancien ordre, celui qui séparait les chansons acoustiques des électriques, ce qui donnait selon moi plus de relief à cet album… Parmi les premières, chacune est une perle, que ce soit “Take these pearls”, “Tristesse”, le plus fouillé “Dark as the grave” et surtout la merveilleuse “There are many sides to the night”, réellement poignante. Pour ces chansons, Steve s’accompagne de cordes, par lui-même ou par Aron Friedman. Et surtout, il chante enfin des choses qui lui vont, qui sont de son registre, et sait se faire sensible en même temps (“Paint your picture” entre autres). A noter que malgré le côté acoustique de ces chansons, elles contiennent des parties de guitare électrique.

La partie électrique est moins dense (sauf pour “In the heart of the city”), mais on en retient quand même des très bonnes chansons comme “Lost in your eyes” et “Little America” qui annoncent l’album à venir.

A mon goût un de ses tout meilleurs albums.”

Tracklist

(instrumental)

Take these pearls from an oyster shell
From the depths of the ocean bed
From the bottom of the sea
Like a wishing well

Take these stones fashioned into jewels
Like the essence of a half remembered song
From the crust of the earth
To the limits of the sky

Take these stones fashioned into jewels
Like the essence of a half remembered song
From the crust of the earth
To the limits of the sky


Standing under the lamplight
In one of the nicer parts of hell
Behold this dreamer with rich red ruby lips
Some pay for the privilege
And some just pay to talk
Because there are many sides to the night

When Father Thames lies sleeping
His ever watchful sons
Divide up the spoils of the day’s takings
A woman’s work is never ever done
She’s a child a slave a teacher and a fool
And then she vanishes from sight
Did no one ever tell you
There are many sides to the night

Standing under the lamplight
Selling perfume sweetcorn and lace
She looks beautiful from a distance
But it’s too dark to see her face
I do it for my child alone
And who would say it’s just not right
Verily I say unto you
There are many sides to the night

Standard bearers march to the tick of the clock
It’s a war against time when you’re fronting the flock
Determined resolute defiant strong
Noble and Savage know they belong

In the heart of the city
In the heart of the city

The battlefield of love a ruffled feather bed
From fluid moist lips the benediction’s said
You love them you leave them with yesterday’s guilt
Everything’s on schedule in the empire that you built

In the heart of the city
In the heart of the city

In the heart of the city
In the heart of the city

You close a deal Thursday at 7:45
The train home is empty you’re the only man alive
You throw away your clothes in a house of clouds
The window is sealed the furniture in shrouds

In the heart of the city
In the heart of the city
In the heart of the city
In the heart of the city


Dark as night dark as the grave
Dark wherein my friend is laid
Sleepwalkers fill the boulevards
Pretty girls and backward boys
All the voices can be heard
An opera of the absurd

Dark as night dark as the grave
Dark wherein my friend is laid
We welcome you we welcome you
The world of chaos far away
As the crowd of mourners said
Tragedy is nothing new

Dark as night

Dark as night dark as the grave
Dark wherein my friend is laid

I see the valleys
I see the streams
I see the mountains and what’s in between
I hear thunder fall from the sky
I see a world
Lost in your eyes

In my dreams
I see you smile
I feel the sun I want to stay for a while
I hear music just makes me cry
I see a world
Lost in your eyes

A one horse town
A dirt road
Way in the desert where the cactus’ grow
I hear you calling my name mile after mile
I see a world
Lost in your eyes

With Lana Turner on the screen beside me
The frame is hardly filled by Orson Wells
We switch into a Fred and Ginger number
That they’re dancing oh so well

Blowing the blues all night
I thought I heard someone say
Stars never fade
And everyone’s dying to play

In Little America
In Little America
In Little America

We got a chinese Elvis painted by Norman Rockwell
His part will be played by Richard Pryor
The Mason Dixon line divides
The free from all the rest so you can sell

Oklahoma
To Cinderella
From Long Island
And everyone’s dying to play

In Little America
In Little America
In Little America

Lower your standards raise your prices
On cable TV
Pretty woman seen at the death of a salesman
All covered with cream

In Little America
In Little America

In Little America
In Little America

In Little America
In Little America

Like an arrow in the night
Like an arrow by the day

Like an arrow in the night
Like an arrow by the day

Come away from your bed at night
Leave all those empty halls behind
Have no fear of death
Have no fear of life
The taste of victory ahead
The spirit never dies

Like an arrow in the night
Like an arrow by the day

A mission bell by the ghostly station
Tolling in the wind
The veins in your hand
Stretch like broken trees of winter

The last call the last port of entry

Like an arrow in the night
Like an arrow by the day

Like an arrow in the night
Like an arrow by the day

In the theatre of sleep
Where no reason remains
Dreamers and drifters
Make their entrance onto the stage
Non-stop scenery changes
With promptings in the dark
Trapped in unremitting violence
As trees stripped of their bark
When they’re buried in your dream
The past is a foreign country
They do things differently there
You’re back in the old schoolhouse
With rows and rows of chairs
Well it might be war or Christmas
With the tanks and guns and flares
Or a witch that wields her broomstick
The stars of your nightmare
When they’re buried in your dream
I was trapped on the edge of a waterfall
In an old riverboat
A proud queen washed up at last
She’s giving up the ghost
Slimy green water rising
I knew that I would die
I had no time to abandon ship
The morning had arrived

I’d like to paint your beauty
All over the world
I’d like to paint your sadness
I’d like to paint your picture

As New Orleans slips far away
When the gas lights dim and the street cars fade
When the beast within takes on a new shape
The blood runs cold make no mistake

You’re just a vampyre with a healthy appetite
And you stay awake half the night

A band strikes up an they’re starting to play
When the sirens wail but they’re way too late
The crowds don’t see they’re drunk anyway
The inquest said it was coming her way

You’re just a vampyre with a healthy appetite
And you stay awake half the night

Well you ran to ground as you always do
And then they finally caught up with you
Well they sent you down and Old Smokey was waiting but pressure groups being what they are these days you were released after five years at a funny farm in upstate New York to walk the streets once more

(instrumental)

Infos générales

Sorti en 1993

Steve Hackett : guitares, chant, harmonica
Aron Friedman : claviers
Julian Colbeck : claviers
Billy Budis : claviers
Dave Taif Ball : basse
Hugo Degenhardt : batterie
Bimbo Acock : clarinette (9)

Produit par Steve Hackett, avec Aron Friedman et Billy Budis

Seb

3/5

Dernier disque de PC alors qu’il est officiellement encore dans Genesis. Ce disque est un retour à l’ambiance Face Value sans cuivres. C’est celui que préfère PC, avant Face Value. Pourtant j’ai beaucoup de mal à me faire à ce disque. L’ambiance est étrange et mis à part quelques morceaux je n’accroche pas. Ce disque est une performance en lui même car PC y fait tous les instruments, chants, compositions, textes et production. Il ressort de ce disque quelques perles et beaucoup de morceaux que je trouve sans vie qui “sonnent” pareil et dont je ne connais même pas les noms par coeur ! (c’est dire !). Pourtant je n’arrive pas à dire que ce soit un mauvais disque… Peut être parce qu’il contient un des morceau que je préfère : We fly so Close. Derrière, il y a Both sides of the story puis We wait and we wonder, enfin Survivors and Everyday. A la limite We’re sons of our fathers et puis le reste c’est néant dans mon esprit.

Tracklist

(Collins)

‘Though we might hate to admit it, there are always two sides to every story…’


Find yourself in the gutter in a lonely part of town
where death waits in the darkness with a weapon to cut some stranger down
sleeping with an empty bottle, he’s a sad and an empty hearted man
all he needs is a job, and a little respect, so he can get out while he can

We always need to hear both sides of the story

A neighbourhood peace is shattered it’s the middle of the night
young faces hide in the shadows, while they watch their mother and father fight
he says she’s been unfaithful, she says her love for him has gone
and the brother shrugs to his sister and says “looks like it’s just us from now on”

We always need to hear both sides of the story

And the lights are all on, the world is watching now
people looking for truth, we must not fail them now
be sure, before we close our eyes
don’t walk away from here
’til you hear both sides

Here we are all gathered in what seems to be the centre of the storm
neighbours once friendly now stand each side of the line that has been drawn
they’ve been fighting here for years, but now there’s killing on the streets
while small coffins are lined up sadly, now united in defeat

We always need to hear both sides of the story

And the lights are all on, the world is watching now
people looking for truth, we must not fail them now
be sure, before we close our eyes
don’t walk away from here
’til you see both sides

White man turns the corner, finds himself within a different world
ghetto kid grabs his shoulder, throws him up against the wall
he says “would you respect me if I didn’t have this gun
‘cos without it, I don’t get it, and that’s why I carry one”

We always need to hear both sides of the story

(Collins)

‘No matter how much you think you want or need it, the past
has to remain just that, the past…’


Could’ve given you everything that you need
but I cannot turn back the years
The perfect love was all you wanted from me
but I cannot turn back the years

So we have to be strong, and I’m finding that hard
we have to move on, but no matter how hard I try
if your heart’s in pieces, you look for the truth
and when I look deep down inside I know, it’s too bad I love you

Sometimes. hits me in the morning, hits me at night
that I cannot turn back the years
so I look out my window, turn off my light
but I cannot turn back the years

Can’t make it seem easy, when you’re all that I see
can’t live in a dream and I won’t serenade the truth
people are hurting and they’re looking to me
and I look at you there’s nothing more to say, it’s too bad I love you

But I’m never gonna give it up

All that I lived for, all that I dreamed
but I cannot turn back the years
You’re the water i drink, you’re the air that I breathe
but i cannot turn back the years

So we have to be strong, and I’m finding that hard
we have to move on, but no matter how hard I try
if your heart’s in pieces, you look for the truth
and when I look deep down inside I know, it’s too bad I love you

But I’m never gonna give it up

(Collins)

‘Love can make you do things you never dreamed possible…’


I got lost, couldn’t find my way
and I guess there’s nothing more to say
love can make you blind, make you act so strange
but I’m here and here I will stay

So everyday I cry
yes everyday I fall
do you ever wonder why, why I love everything about you

But everyday I say I’ll try to make my heart be still
’til then every way there is to cry, ourselves to sleep we will

It picked me up, knocked me off my feet
I’ve got no way to explain
still I love you, love you, love you but this fire inside
will never see the light of day

So everyday goes by
and everyday I fall
it makes me wonder why,
my life’s worth nothing without you

But everyday I say I’ll try
to make my heart be still
‘cos every way there is to cry,
ourselves to sleep, we will

You’ll never know, no, no, no ,no ,no
you’ll never know just how close we were
you’ll never know, no, no, no ,no ,no
you’ll never know
no you’ll never see

The book closes and we try to forget
but I know that things won’t change
how we feel, how life goes on
and that seems so strange

And so the light fades away
try, try, try as I may
I can’t stop thinking about you
it seems my life’s worth nothing without you

But everyday I say I’ll try
to make my heart be still
’til then every way there is to cry,
ourselves to sleep, we will

Everyday, everyday you know I try so hard
everyday, everyday it gets a little harder

(Collins)

‘…I get along without you very well’ (Hoagy Carmichael. 1939)


I’ve forgotten everything about you
’til someone says your name
I’ve forgotten all the reasons I loved you
’til someone tells me that you rang

The memories are hazy now
I don’t recall at all
there’s nothing, there’s nothing there
just me
and I don’t understand why

I can’t recollect my feelings
’til someone mentions that they saw you
I really don’t remember all the things you said
’til someone shows me where you live

Why is everything so hazy now
I don’t recall at all
there’s nothing, there’s nothing there
just me
and I don’t understand why

I can’t recall your smile
the touch of your hand holding mine
and I can’t remember why
holding you seemed so right

The memories they’re hazy now
I don’t recall at all
there’s nothing, there’s nothing there
just me
and I don’t understand why

I’ve forgotten everything about you
’til someone says your name
I’ve forgotten all the reasons I loved you
’til someone tells me that you rang

(Collins)

‘It seems that family values have changed since I was a kid, at
least I remember it that way…’


When I grow up to be a man
like my father was when I was young
I hope i can make him so proud of me
Proud enough to call me his son

What makes these people so different now
what makes these times so strange?
seems most people got most everything they need
how come we see this change

Our sons and daughters seem to be beyond our control
their smile is fading fast, they’re losing their soul
when will we ever learn, yet I’m a believer

When I was a boy, did we have more respect?
this world seemed a nicer place to be
but time slowly passes and one day you look around
you hardly recognise what you see

Our sons and daughters seem to be beyond our control
their smile is fading fast, they’re losing their soul
now when will we ever learn, yet I’m a believer

They’re beyond our control

We’re all sons of our fathers
sometimes I feel like mine
and I can hear him say, the things I say
seems all things come around in time

Why these things happen we’ll never know
guess that was then and this is now
we always knew that change was gonna come
but I want to go back, please tell me how

Our sons and daughters seem to be beyond our control
their smile is fading fast, they’re losing their soul
when will we ever learn, yet I’m a believer

(Collins)

‘…To try to do the right thing…always the right thing.’


I’ve been doing some thinking, here on my own
it’s been on my mind
this debt I owe to you
I have to repay in kind

But I can’t find my way

Tired and weary, I follow the path
that leads to your door
but it occurred to me, all that I have
is already yours

But I can’t find my way

Oh, just to sit a while
Oh, just to sit and watch you smile

But I can’t find my way

Keep the faith you say
to keep the faith I pray
be strong you say
just follow the light

Wheels keep turning but the close I get
the farther I seem
peace will only come
finding the peace within

But I can’t find my way

(Collins)

‘…I never meant to break your heart, please forgive me.’


No I never meant to hold you back
I never meant to turn away
please forgive me

I never meant to break your heart
I’d give my last breath before I do
please forgive me

No I never meant to hold you down
I never meant to break your heart
somehow, somehow
we are survivors

No I never meant to hold you back
I never meant to turn away
here we are standing here
survivors in the night

No I never meant to break your heart
I’ll always be here for you
here’s my word, take my hand
survivors in the night

No I never meant to let you down
I’d give my last breath before I do
all I ever wanted was to be right here
survivors in the night

When all is said and done
we’ll find a way
to put all this behind us
we’ll find some way
‘cos you know that I won’t be leaving
yes I’m here and i won’t be leaving

No I never meant to cause you pain
no I never meant to hurt you
all I want to do now, is to try my best
survivors in the night

When all is said and done
we’ll find someday
we can forget all this
somehow, some way

And as long as I’m here
there’ll be no worries any more
and all these promises I’m making now
I’ll hold each day

So don’t ever. don’t ever, don’t forget
that I never, never meant to break your heart
all I ever wanted was to stand beside you
survivors in the night

We are survivors in the night

(Collins)

‘We never realise just how close we come to disaster
whether in love or everyday life…’


My harbour lights are fading fast
soon they’ll disappear
alone I sit in darkness
hoping someone might come near
though I wait, though I try
no one ever comes
and the feeling that I have flood over me
the river starts to run

We fly so close
we fly so close
sometimes we fly too close

Every place you run to, everywhere you turn
there are places that you know you should not go
but some bridges just won’t burn
all my life, though I try
I cannot change the past
and the ghosts that come back to haunt you
make you realise at last

We fly so close
we fly so close
sometimes we fly too close
we fly too close

My heart is racing much faster now
life passes before my eyes
something’s I see, they make me smile
something’s they make me cry
so I look, so I try to find
a lesson I can learn
the passing of time hasn’t changed my mind
and the ghosts I know return

You know we fly so close
we fly so close
sometimes we fly too close
we fly too close

We fly so close, you and I sometimes
sometimes we fly so close,
we’ll never know how many times
we fly so close
we fly so close

(Collins)

‘…There’s a place for us, somewhere a time and a place.’


So here we are together
just you and me
sitting side by side
don’t know why
with time just racing by
but I don’t want to go

Well I don’t know much about it
‘cos all I am is what you see
in front of you
there’s no more
feels so close and yet so far
but I don’t want to go

Here I am, take my hand
here I am, please take my hand

I’d like to sit here with you if that’s alright
if you don’t mind I could sit and stare all night
sit here waiting for you to hold me tight

It’s sad but I know it’s true
you see I know you well
you’d only laugh at me
and that would hurt me so
just look at me here
you’ve got me pleading with you
but i don’t want to go

‘Cos you know that I love you so
yes you know that I love you so

Here. I will be here love
for you love, I will always be here love

If you look real close
you’ll see my heart is on my sleeve
and it’ll be here waiting
waiting for you, waiting for me
someone once said that if you truly, truly believe
you can make things happen
make things appear to be all that they seem
tell me do you believe?

We’ll find a hideaway
together we’ll find a way
somewhere, somehow, we’ll find some way
there must be somewhere
there must be someplace
we can find somewhere
where they don’t know my face
believe me we can find it
yes we can find it
somewhere, there’s a place for us
somewhere, a time and a place for us
somewhere

(Collins)

‘To the outsider it seems that we in Britain live daily
under the cloud of terrorism. That familiarity sometimes
makes you think of it as almost normal, then suddenly
something will happen…’


We stand, hang our heads disbelieving
then not knowing how could such a thing be wrong
we wonder just what they must be thinking
to take a life of one so young

So tell me when will it be over now, how soon?
how far must we go, to prove to you?

We wait and we wonder how this happened
killing the old, the innocent, the young
while sons follow in fathers footsteps not understanding
that what they do could somehow be so wrong

So tell me when will it be over now, how soon?
how far must we go, to prove to you?

So we will wait and we’ll wonder

No regrets, no forgiveness, no compassion
these brave heroes only know to hit and run
slowly my sadness turns to rage and we wonder
how can these scars ever heal, when all is said and done

So tell me when will it be over now, how soon?
how many tears must fall to prove to you?
please tell me, when will it be over now, how soon?
and how far must they go, to prove to you?

So we wait and we wonder

(Collins)

‘…When all is said and done, there’s just you and me.’


Please come out tonight I need you here
its been a long, long time and I can’t wait
let’s find out, let’s see what it’s like out there
if it rains we’ll find somewhere, somewhere dry and warm

You’ll say “my, it’s been a long, long time”
I’ll say “how are you? I’ve been fine”

Please come out tonight, let’s go out and see the world
we can try to find, find somewhere
it seems so long ago, I can hardly remember the time
it’s all I want, it’s all I want, so let’s see what we find

You’ll say “there’s so much you need to know”
I’ll say “are you really sure you have to go?”

We don’t need a reason, no explainations
just stay with me here, tonight
I won’t say a word
I just need you here

Please come out tonight, let’s go out and find ourselves
you can lean your head on my shoulder, remember?

You’ll say “My, is that the time?”
I’ll say “why not stay with me tonight?”

We don’t need a reason
it’s so warm inside
there’s no one between us
if someone comes we can hide
just lay here beside me
just see what it’s like

Please come out tonight

Extra Sides - Disque Bonus

1 : Take Me With You
2 : Both Sides Of The Story (Live)
3 : Can’t Turn Back The Years (Live)
4 : Survivors (Live)
5 : Everyday (Live)
6 : We Wait And We Wonder (Live)
7 : Can’t Find My Way (Demo)
8 : I’ve Been Trying
9 : Both Sides Of The Story (Unplugged)
10 : Hero (Demo)

Infos générales

Mis à part la boite à rythme, tout a été joué live

écrit, produit & joué par Phil Collins

Ingénieur du son : Paul Gomersall
Assistant : Mark Robinson

Enregistré à la maison sur 12 pistes. Quelques over dubs enregistrés à The Farm, Surrey, Angleterre. Masterisé par Bob Ludwig, Gateway Studios, US

Sorti en Novembre 1993

Singles:
Octobre 93 – Both Sides Of The Story/Always (Live)
Janvier 94 – Everyday/Don’t call me Ashley
Avril 94 – We wait and we wonder/Hero/Take me with you/For a friend

Seb

4/5

Sorti dans la foulée du précédent, celui là s’adresse aux amateurs de l’ancien Genesis, avec un fabuleux Old Medley de 19 minutes faisant honneur aux années 70. Le reste c’est des morceaux de plus de 10 minutes appartenant aux trois derniers albums, dont Home by the sea, avec une version puissante à souhait et qui écrase la version studio (forcement). Le tout dernier morceau est le duo de batterie que Phil faisait avec Chester Thompson sur scène. Phil pour la dernière fois derrière la batterie, pour la dernière fois sur un disque de Genesis… Dernière ?

Tracklist

1 : Old Medley (live)

2 : Driving The Last Spike (live)

3 : Domino (live)

4 : Fading Lights (live)

5 : Home By The Sea (live)

6 : Drum Duet (live)

Infos générales

Phil Collins – Chant et Batterie
Tony Banks – Claviers & Choeurs
Mike Rutherford – Guitare, Basse et Choeurs
Daryl Stuermer – Guitare, Basse & Choeurs
Chester Thompson – Batterie

Sorti en Janvier 1993