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alea

Seb

4/5

Là aussi, 4 étoiles pour un Greatest Hits, ca peut paraître beaucoup, mais il faut dire ce qui est, c’est un bon Greatest Hits, qui rempli bien son rôle, à savoir réunir les plus gros succès de susceptibles de séduite un auditeur occasionnel. Nullement fait pour les fans. D’où la note… Ceci dit, cette compilation nous permet enfin d’avoir les quatre titres inédits en version studio dont j’ai parlé pour Serious Hits… Live. Ainsi qu’un inédit ;True Colors, reprise de Cindy Lauper qui ne casse franchement pas la baraque… Pour le reste, pas de surprise.

Tracklist

(Collins)

She calls out to the man on the street
“Sir, can you help me?
It’s cold and I’ve nowhere to sleep,
Is there somewhere you can tell me?”

He walks on, doesn’t look back
He pretends he can’t hear her
Starts to whistle as he crosses the street
Seems embarrassed to be there

Oh think twice, it’s another day for
You and me in paradise
Oh think twice, it’s just another day for you,
You and me in paradise

She calls out to the man on the street
He can see she’s been crying
She’s got blisters on the soles of her feet
Can’t walk but she’s trying

Oh think twice…

Oh lord, is there nothing more anybody can do
Oh lord, there must be something you can say

You can tell from the lines on her face
You can see that she’s been there
Probably been moved on from every place
‘Cos she didn’t fit in there

Oh think twice…

(Steinberg/Kelly)

You, with the sad eyes:
don’t be discouraged, oh, I realize
it’s hard to take courage
In a world full of people, you can lose sight of it
And the darkness inside you makes you feel so small

But I see your true colors shining through
I see your true colors, and that’s why I love you
So don’t be afraid to let them show-
your true colors, true colors
Beautiful, like a rainbow

Show me your smile
Don’t be unhappy, can’t remember when
I last saw you laughing
This world makes you crazy; when you’ve taken all you can, baby,
just call me up because you know I’ll be there

But I see your true colors shining through
I see your true colors, and that’s why I love you
So don’t be afraid to let them show-
Just show your true colors, true colors
Beautiful, like a rainbow

Such sad eyes
Take courage, now; I realize
This world makes you crazy; when you’ve taken all you can, baby,
just call me up because you know I’ll be there

And I see your true colors shining through
I see your true colors, and that’s why I love you
So don’t be afraid, to let them show
only your true colors, true colors
true colors, beautiful,
beautiful like a rainbow, yeah, yeah

Show me your colors
show me your rainbow
show me your colors
show me your rainbow
that’s why I love you

(Collins/Bailey/East)

(Released on Phil Bailey’s “Chinese Wall” album, 1984)

Easy lover
She’ll get a hold on you believe it
Like no other
Before you know it you’ll be on your knees
She’s an easy lover
She’ll take your heart but you won’t feel it
She’s like no other
And I’m just trying to make you see

She’s the kind of girl you dream of
Dream of keeping hold of
You’d better forget it
You’ll never get it
She will play around and leave you
Leave you and deceive you
Better forget it
Oh you’ll regret it

No you’ll never change her, so leave it, leave it
Get out quick cos seeing is believing
It’s the only way
You’ll ever know

Easy lover
She’ll get a hold on you believe it
Like no other
Before you know it you’ll be on your knees
She’s an easy lover
She’ll take your heart but you won’t feel it
She’s like no other
And I’m just trying to make you see

You’re the one that wants to hold her
Hold her and control her
You’d better forget it
You’ll never get it
For she’ll say there’s no other
Till she finds another
Better forget it
Oh you’ll regret it

And don’t try to change her, just leave it, leave it
You’re not the only one, ooh seeing is believing
It’s the only way
You’ll ever know, oh

No don’t try to change her, just leave it, leave it
You’re not the only one, ooh seeing is believing
It’s the only way
You’ll ever know, oh

She’s an easy lover (she’s a easy lover)
She’ll get a hold on you believe it (get a hold on you)
(She’s) like no other
Before you know it you’ll be on your knees (you’ll be down on your knees)
She’s an easy lover
She’ll take your heart but you won’t feel it (you won’t feel it)
She’s like no other
And I’m just trying to make you see (trying to make you see)

(Holland/Dozier/Holland)

I need love, love
ooh, ease my mind
And I need to find time
someone to call mine;

My mama said
You can’t hurry love
No, you’ll just have to wait
She said love don’t come easy
But it’s a game of give and take
You can’t hurry love
No, you’ll just have to wait
Just trust in a good time
No matter how long it takes

How many heartaches must I stand
Before I find the love to let me live again
Right now the only thing that keeps me hanging on
when I feel my strength, ooh, it’s almost gone

I remember mama said
You can’t hurry love
No you’ll just have to wait
She said love don’t come easy
It’s a game of give and take
How long must I wait
How muck more must I take
Before loneliness
Will cause my heart, heart to break?

No, I cant bear to live my life alone
I grow impatient for a love to call my own
But when I feel that I, I can’t go on
Well these precious words keep me hanging on

I remember mama said
You can’t hurry love
No, you’ll just have to wait
She said love don’t come easy
Well, it’s a game of give and take
You can’t hurry love
No, you’ll just have to wait
Just trust in a good time
No matter how long it takes, now break!

Now love, love don’t come easy
But I keep on waiting
Anticipating for that soft voice
To talk to me at night
For some tender arms
hold me tight
I keep waiting
Ooh, till that day
But it ain’t easy (Love don’t come easy)
No, you know it ain’t easy

My mama said
You can’t hurry love
No, you’ll just have to wait
She said love don’t come easy
It’s a game of give and take…

(Collins/Dozier)

(Featured on the soundtrack of “Buster”, 1988)

Well, there was no reason to believe she’d always be there
But if you don’t put faith in what you believe in
It’s getting you nowhere
Cos it hurts, you never let go
Don’t look down, just look up
Cos she’s always there to behind you, just to remind you

Two hearts, believing in just one mind
You know we’re two hearts believing in just one mind

Cos there’s no easy way to, to understand it
There’s so much of my life in her, and it’s like I’m blinded
And it teaches you to never let go
There’s so much love you’ll never know
She can reach you no matter how far
Wherever you are

Two hearts, believing in just one mind
Beating together till the end of time
You know we’re two hearts believing in just one mind
Together forever till the end of time

She knows (she knows)
There’ll always be a special place in my heart for her
She knows, she knows, she knows
Yeah, she knows (she knows)
No matter how far apart we are
She knows, I’m always right there beside her

We’re two hearts…

(Collins)

You know I never meant to see you again
and I only passed by as a friend
All this time I stayed out of sight
I started wondering why

Now I, I wish it would rain down, down on me
Yes I wish it would rain, rain down on me now

You said you didn’t need me in your life
I guess you were right
Well I never meant to cause you no pain
But it looks like I did it again

Now I, I wish ….

Though your hurt is gone, mines hanging on, inside
And I know it’s eating me through every night and day
I’m just waiting on your sign

‘Cos I know, I know I never meant to cause you no pain
And I realize I let you down
But I know in my heart of heart of hearts
I know I’m never gonna hold you again

Now I…

(Collins)

(Featured on the soundtrack of “Against All Odds” ,1984)

How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh
You’re the only one who really knew me at all

How can you just walk away from me,
when all I can do is watch you leave
Cos we’ve shared the laughter and the pain and even shared the tears
You’re the only one who really knew me at all

So take a look at me now, oh there’s just an empty space
And there’s nothing left here to remind me,
just the memory of your face
Ooh take a look at me now, well there’s just an empty space
And you coming back to me is against all odds and that’s what I’ve got to face

I wish I could just make you turn around,
turn around and see me cry
There’s so much I need to say to you,
so many reasons why
You’re the only one who really knew me at all

So take a look at me now, well there’s just an empty space
And there’s nothing left here to remind me, just the memory of your face
Now take a look at me now, cos there’s just an empty space

But to wait for you, is all I can do and that’s what I’ve got to face
Take a good look at me now, cos I’ll still be standing here
And you coming back to me is against all odds
It’s the chance I’ve gotta take

Take a look at me now

(Collins/Stuermer)

We had a life, we had a love,
But you don’t know what you’ve got ’til you lose it
Well that was then and this is now
And I want you back
How many times do I have to say I’m sorry

How can something so good go so bad
How can something so right go so wrong
I don’t know, I don’t have all the answers
But I want you back
How many times can I say I’m sorry

You can run, and you can hide
But I’m not leaving less you come with me
We’ve had our problems but I’m on your side
You’re all I need, please believe in me

I only wanted someone to love
But something happened on the way to heaven
It got a hold of me and wouldn’t let go
And I want you back
How many times do I have to say I’m sorry

You can run…

They say you can’t take it with you
When you go
And I believe it
But taking what I’ve got or being
here with you, you know
I’d rather leave it

You can run…

(Bishop)

(Released as Phil Collins & Marilyn Martin single, 1985)

You called me from the room in your hotel
All full of romance for someone that you met
And telling me how sorry you were, leaving so soon
And that you miss me sometimes when you’re alone in your room
Do I feel lonely too?

You have no right to ask me how I feel
You have no right to speak to me so kind
We can’t go on just holding on to time
Now that we’re living separate lives

Well I held on to let you go
And if you lost your love for me, well you never let it show
There was no way to compromise
So now we’re living (living)
Separate lives

Ooh, it’s so typical, love leads to isolation
So you build that wall (build that wall)
Yes, you build that wall (build that wall)
And you make it stronger

Well you have no right to ask me how I feel
You have no right to speak to me so kind
Some day I might (I might) find myself looking in your eyes
But for now, we’ll go on living separate lives
Yes for now, we’ll go on living separate lives
Separate lives

(Collins)

‘Though we might hate to admit it, there are always two sides to every story…’


Find yourself in the gutter in a lonely part of town
where death waits in the darkness with a weapon to cut some stranger down
sleeping with an empty bottle, he’s a sad and an empty hearted man
all he needs is a job, and a little respect, so he can get out while he can

We always need to hear both sides of the story

A neighbourhood peace is shattered it’s the middle of the night
young faces hide in the shadows, while they watch their mother and father fight
he says she’s been unfaithful, she says her love for him has gone
and the brother shrugs to his sister and says “looks like it’s just us from now on”

We always need to hear both sides of the story

And the lights are all on, the world is watching now
people looking for truth, we must not fail them now
be sure, before we close our eyes
don’t walk away from here
’til you hear both sides

Here we are all gathered in what seems to be the centre of the storm
neighbours once friendly now stand each side of the line that has been drawn
they’ve been fighting here for years, but now there’s killing on the streets
while small coffins are lined up sadly, now united in defeat

We always need to hear both sides of the story

And the lights are all on, the world is watching now
people looking for truth, we must not fail them now
be sure, before we close our eyes
don’t walk away from here
’til you see both sides

White man turns the corner, finds himself within a different world
ghetto kid grabs his shoulder, throws him up against the wall
he says “would you respect me if I didn’t have this gun
‘cos without it, I don’t get it, and that’s why I carry one”

We always need to hear both sides of the story

(Collins)

One more night, one more night
I’ve been trying ooh so long to let you know
Let you know how I feel
And if I stumble if I fall, just help me back
So I can make you see

Please give me one more night, give me one more night
One more night cos I can’t wait forever
Give me just one more night, oh just one more night
Oh one more night cos I can’t wait forever

I’ve been sitting here so long
Wasting time, just staring at the phone
And I was wondering should I call you
Then I thought maybe you’re not alone

Please give me one more night, give me just one more night
Oh one more night, cos I can’t wait forever
Please give me one more night, ooh just one more night
Oh one more night, cos I can’t wait forever
Give me one more night, give me just one more night
Ooh one more night, cos I can’t wait forever

Like a river to the sea
I will always be with you
And if you sail away
I will follow you

Give me one more night, give me just one more night
Oh one more night, cos I can’t wait forever
I know there’ll never be a time you’ll ever feel the same
And I know it’s only words
But if you change your mind you know that I’ll be here
And maybe we both can learn

Give me just one more night, give me just one more night
Ooh one more night, cos I can’t wait forever
Give me just one more night, give me just one more night
Ooh one more night, cos I can’t wait forever

(Collins)

There’s this girl that’s been on my mind
All the time, Sussudio oh oh
Now she don’t even know my name
But I think she likes me just the same
Sussudio oh oh

Oh if she called me I’d be there
I’d come running anywhere
She’s all I need, all my life
I feel so good if I just say the word
Sussudio, just say the word
Oh Sussudio

Now I know that I’m too young
My love has just begun
Sussudio oh oh
Ooh give me a chance, give me a sign
I’ll show her anytime
Sussudio oh oh

Ah, I’ve just got to have her, have her now
I’ve got to get closer but I don’t know how
She makes me nervous and makes me scared
But I feel so good if I just say the word
Sussudio just say the word
Oh Sussudio, oh

Ah, she’s all I need all of my life
I feel so good if I just say the word
Sussudio I just say the word
Oh Sussudio I just say the word
Oh Sussudio I’ll say the word
Sussudio oh oh oh
Just say the word

(Collins)

It’s there in the eyes of the children
In the faces smiling in the windows
You can come on out, come on open the doors
Brush away the tears of freedom

Now we’re here, there’s no turning back
We have each other
We have one voice

Hand in hand we will lay the tracks
Because the train is coming to carry you home

Come dance with me
Come on and dance into the light
Everybody dance into the light

There’ll be no more hiding in shadows of fear
There’ll be no more chains to hold you
The future is yours – you hold the key
And there are no walls with freedom

Now we’re here, we won’t go back
We are one world
We have one voice

Side by side we are not afraid
Because the train is coming to carry you home

Come dance with me
Come on and dance into the light
Everybody dance into the light

Do you see the sun – it’s a brand new day
Oh, the world’s in your hands, now use it
What’s past is past, don’t turn around
Brush away the cobwebs of freedom

Now we’re here, there’s no turning back
You have each other
You have one voice

Hand in hand you can lay the tracks
Because the train is coming to carry you home

Come dance with me
Come on and dance into the light
Everybody dance into the light

(Wine/Bayer/Sager)

(Featured on the soundtrack of “Buster”, 1988)

When I’m feeling blue, all I have to do
Is take a look at you, then I’m not so blue
When you’re close to me, I can feel your heart beat
I can hear you breathing near my ear
Wouldn’t you agree, baby you and me got a groovy kind of love

Anytime you want to you can turn me onto
Anything you want to, anytime at all
When I kiss your lips, ooh I start to shiver
Can’t control the quivering inside
Wouldn’t you agree, baby you and me got a groovy kind of love, oh

When I’m feeling blue, all I have to do
Is take a look at you, then I’m not so blue
When I’m in your arms, nothing seems to matter
My whole world could shatter, I don’t care
Wouldn’t you agree, baby you and me got a groovy kind of love
We got a groovy kind of love
We got a groovy kind of love, oh
We got a groovy kind of love

(Collins)

I can feel it coming in the air tonight, Oh Lord
I’ve been waiting for this moment, all my life, Oh Lord
Can you feel it coming in the air tonight, Oh Lord, Oh Lord

Well, if you told me you were drowning
I would not lend a hand
I’ve seen your face before my friend
But I don’t know if you know who I am
Well, I was there and I saw what you did
I saw it with my own two eyes
So you can wipe off the grin, I know where you’ve been
It’s all been a pack of lies

And I can feel it coming in the air tonight, Oh Lord
I’ve been waiting for this moment for all my life, Oh Lord
I can feel it in the air tonight, Oh Lord, Oh Lord
And I’ve been waiting for this moment all my life, Oh Lord, Oh Lord

Well I remember, I remember don’t worry
How could I ever forget, it’s the first time, the last time we ever met
But I know the reason why you keep your silence up, no you don’t fool me
The hurt doesn’t show; but the pain still grows
It’s no stranger to you or me

And I can feel it coming in the air tonight, Oh Lord…

(Collins)

Take that look of worry
I’m an ordinary man
They don’t tell me nothing
So I find out what I can
There’s a fire that’s been burning
Right outside my door
I can’t see but I feel it
And it helps to keep me warm
So I, I don’t mind
No I, I don’t mind

Seems so long I’ve been waiting
Still don’t know what for
There’s no point escaping
I don’t worry anymore
I can’t come out to find you
I don’t like to go outside
They can’t turn off my feelings
Like they’re turning off a light
But I, I don’t mind
No I, I don’t mind
Oh I, I don’t mind
No I, I don’t mind

So take, take me home
Cos I don’t remember
Take, take me home
Cos I don’t remember
Take, take me home
Cos I don’t remember
Take, take me home, oh lord
Cos I’ve been a prisoner all my life
And I can say to you

Take that look of worry, mine’s an ordinary life
Working when it’s daylight
And sleeping when it’s night
I’ve got no far horizons
I don’t wish upon a star
They don’t think that I listen
Oh but I know who they are
And I, I don’t mind
No I, I don’t mind
Oh I, I don’t mind
No I, I don’t mind

So take, take me home
Cos I don’t remember
Take, take me home
Cos I don’t remember
Take, take me home
Cos I don’t remember
Take, take me home, oh lord
Well I’ve been a prisoner all my life
And I can say to you

But I don’t remember
Take, take me home…

Infos générales

Masterisé à Abbey Road par Chris Blair

Sorti en Octobre 1998

octopus92

0/5

Recommandé : troisième volet des musiques pour documentaires, celui-ci est un magnifique album de new-age, à écouter dans une ambiance zen, très zen…

Tracklist

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

Infos générales

Sorti en novembre 1997

Anthony Phillips : claviers, guitares
Joji Hirota : percussions

Produit par Anthony Phillips

WhiteWinter

0/5

L’ensemble (du moins ce que Ant a écrit sachant que c’est un album “Various artists”) est tout à fait dans la lignée du troisième volume des “Missing links – Time And Tide” (le line-up est le même).

Pas franchement mythique, mais toujours très agréable.

Tracklist

Infos générales

Sorti en juillet 1997

Ant joue des claviers sur les morceaux indiqués ci-dessous et est accompagné de Joji Hirota aux percussions.

 

WhiteWinter

4/5

“Exercice difficile, mais tout à fait louable pour notre cher Steve.

Cet album est son troisième en acoustique mais, cette fois, il s’offre les services de non pas un ou deux musiciens, mais d’un grand orchestre anglais réputé.

Le but était d’adapter le “Songe d’une nuit d’été” de William Shakespeare en musique.

Il faut reconnaître que c’est plutôt réussi. Un album touchant par son romantisme et la sensibilité de nombre de ses thèmes (connaissant Steve, on n’en attendait pas moins).
Et pour couronner le tout, le fidèle John qui avec sa flûte, vient de temps en temps magnifier le tout.

A noter que d’anciens thèmes de Steve, “Beja flor”, “Bacchus” et “End of day”, sont présents au cours de l’album, mais renommés différemment.

Steve n’a décidément pas non plus renié son passé avec Genesis, en glissant un clin d’oeil (même tout petit) aux fans, notamment ceux de “The lamb lies down on Broadway”…
Pour cela, écoutez la piste 12…”

Tracklist

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

Infos générales

Sorti en 1997

Steve Hackett : guitare classique
John Hackett : flûte
Roger King : orgue
The Royal Philarmonic Orchestra

Produit par Steve Hackett

Seb

4/5

Phil est donc parti, laissant libre la batterie et le micro. Mike et Tony se retrouvent donc seuls et commencent à écrire. Ils ont toujours l’envie… Il leur faut un nouveau chanteur, ce sera Ray Wilson ancien chanteur de Stillskin. L’album commence par le plus beau morceau du disque : Calling all stations. Rien que ca pour nous prouver que Genesis est bien vivant, même si, comme d’habitude il y a toujours des grincheux pour dire que ce n’est plus Genesis. Encore une fois, tant pis pour eux. Le disque se poursuit, enchaînant, le très bon et le moins bon. Plusieurs morceaux sont vraiment dignes de l’ancien Genesis et n’ont pas a rougir de quelque comparaison. Évidement, à la première écoute l’absence de Phil est cruelle. Mais, petit à petit, on s’y fait, puis on se dit que le gars Ray fait vraiment un travail formidable. Et c’est surtout sur scène qu’on s’en rend compte, sa voix colle vraiment bien avec les anciens morceaux, même si c’est surprenant parfois. Un excellent disque donc, quoi qu’on puisse raconter ailleurs !!!

Tracklist

(Banks/Rutherford)


Calling all stations
Can anybody tell me, tell me exactly where I am
I’ve lost all sense of direction
Watching the darkness closing around me
Feeling the cold all through my body
That’s why I’m calling all stations
In the hope that someone hears me
A single lonely voice

I feel the sensation disappearing
There’s a tingling in my arms
And there’s a numbness in my hands

All the broken promises
All my good intentions don’t add up to very much
And I realise whatever happened, whatever happened
I remember all the moments that I’ve wasted in my life
All the things I was always gonna do
Why is it now when it’s too late
That I’ve finally realised it’s important to me
To think that everything that’s dear to me
And is always in my heart
Could so easily be taken
And it’s tearing me apart
Going over and over in my mind
I relive it one second at a time

Calling all stations
Can anybody tell me, tell me exactly where I am
How different things look when your all on your own
Watching the darkness closing all around me
All around me
And I’m lost with feeling
Of your arms to remind me
Of everything that’s dear to me
And is always in my heart
Could so easily be taken
And it’s tearing me apart
Going over and over in my mind
I relive it one second at a time
Don’t you know there’s never been a moment
When I haven’t had the thought
That everything that’s dear to me
And is always in my heart
Could so easily be taken
And it’s tearing me apart
Going over and over in my mind
I relive it one second at a time
As I sit here in the darkness
Feeling so alone
And everything that’s dear to me
And is always in my heart…

(Banks/Rutherford)


You say that I put chains on you
But I don’t think that’s really true
But if you want to be free from me
You gotta lose me in another world

Send me to the Congo I’m free to leave
There’s always somewhere anybody can lead
Send me to the Congo you have to believe
You can do it if you wanna just do what you please

Like a soldier ant
I will wait for the signal to act
To take a walk right through the door
If you don’t want me here any more

Send me to the Congo I’m free to leave
There’s always somewhere anybody can lead
Send me to the Congo you have to believe
You can do it if you wanna just do what you please

Into my heart you came
And gave a whole new meaning to my life
Into my world you brought a light
I thought it never would go out

Send me to the Congo I’m free to leave
There’s always somewhere anybody can lead
Send me to the Congo you have to believe
You can do it if you wanna just do what you please

You can send me to the Congo I’m free to leave
There’s always somewhere anybody can lead
Yes you can send me to the Congo, you have to believe
You can do it if you wanna just do what you please

I would never be the one to say you had no reason
To want me somewhere else far far away
But someday you may understand, someday you will see
That someone who would die for you is all I’ve ever been

Congo the Congo, if that’s how it’s got to be
Congo the Congo, if that’s what you want from me

I would never be the one to say you had no reason
To want me somewhere else far far away
Someday you may understand someday you will see…

(Banks/Rutherford)


I’m a million miles from anywhere, where can I be
Somewhere out on the ocean
Just take a look out on the horizon, what can you see
There’s nothing there for me

I feel shipwrecked, I might as well be shipwrecked
I’m helpless and alone drifting out to sea
I can’t believe what you said to me

Even standing on the corner of a busy city street
I still feel so lonely
Why do you say you want to be with me
But the next day say you don’t

I’m shipwrecked, I might as well be shipwrecked
I’m helpless and alone drifting out to sea
I can’t believe what you said to me
Without you I feel shipwrecked
But I can’t let it show
A million miles away from anywhere, ooh, ooh, ohh

Is it my imagination
Or is it getting darker, are the waves getting higher
I’m a million miles from anywhere
A million miles from anything I know

You know that’s why I’m shipwrecked
I might as well be shipwrecked
I’m helpless and alone drifting out to sea
I can’t believe what you said to me
You know that’s why I’m shipwrecked, shipwrecked
Losing my direction
Please come and rescue me (shipwrecked)
Shipwrecked
Shipwrecked
Shipwrecked
Shipwrecked…

(Banks/Rutherford)


Woke up in the morning staggered out of bed
Thought about getting back again, but went downstairs instead
Read the daily paper have to know the truth
Slammed the door as I ran outside, looked at my watch and cried
Gotta get to work on time
Gotta get to work on time

Then the sky turned a deeper blue
Not a cloud as the sun shone through
But all around rain kept falling to the ground
The wind was blowing but the trees didn’t make a sound
Just another alien afternoon
Just another alien afternoon

Time that I was leaving while there’s still a chance
Before I start believing in what I see or hear
Nothing here to keep me, nothing anywhere
Gotta get out pack my bags before I go insane
Gotta get away in time
Gotta get away in time

Then the sky turned from blue to green
Took on colours I have never seen
Then a sound started ringing in my ears
I heard voices but in truth there’s nobody there
Just another alien afternoon
Just another alien afternoon

To be there back where I belong
To feel again the wind upon my face
To see again all that I took for granted
All that I left and everything I knew

We are home
We are your home
We are all your home

Not another alien afternoon

Never more to go wandering
Never leaving my world behind

There was never a reason
To leave my heart and my home behind
Where I was born is where I should be now
I would never be lonely
I would never be sad again

I wanted to go anywhere
I wanted to see how strange it all could be
Nothing would ever take me away again
Never more to go wandering
Never leaving my world behind
No, no, no, no
Nothing will ever take me away again, away again
No, no, no, no

(Banks/Rutherford/Wilson)


A little piece of something
Falling gently down down down
No one understands you like I do

I’d rather be beside you
Everything we know so well
Tell me what you feel now
Show me what you think of it

It’s not about us anymore
It’s all about the reasons
That we think we’re fighting for
It’s not about hate
It’s not about pain we always feel
I know we have our problems
But we’re not the only ones
It’s not about you it’s not about me
It’s not about anger
It’s more about the loneliness we feel

How can I begin to
Ask for some forgiveness
For all that we have taken
There’s nothing left now

Just a little piece of something
Falling gently down down down
No one understands you no no
Like I do
There’s nothing left now

It’s not about us anymore
It’s all about the reasons
That we think we’re fighting for
It’s not about hate
It’s not about pain we always feel
I know we have our problems
But we’re not the only ones
It’s not about you it’s not about me
It’s not about anger
It’s more about the loneliness we feel

It’s not about us
It’s not about hate
It’s more about the loneliness we feel, can you feel it
It’s not about anger
It’s not about wanting
I know we have our problems
But we’re not the only ones, we’re not the only ones
It’s not about you, it’s not about me…

(Banks/Rutherford)


Talking makes us human that’s what I was told
So why do I find it so difficult to let my feelings unfold
Had I the courage to tell you I’d promise you this

If that’s what you need
I’ll be the river I’ll be the mountain always beside you
If that’s what you need
I will be stronger I will be braver than ever before

When you came along and turned it all around
I promised myself I wouldn’t tell you
Until we stood on solid ground
Holding the candle between us I’ll tell you this

If that’s what you need
I’ll be the river I’ll be the mountain always beside you
If that’s what you need
I will be stronger I will be braver than ever before

And if there’s any kind of danger
I hear you calling out my name
You can follow in my footsteps
And I will lead you safely back again

I never understood you however hard I tried
But it took me a while until I realised
That all the problems were mine
Holding you nearer to me to tell you this

If that’s what you need
I’ll be the river I’ll be the mountain always beside you
If that’s what you need
I will be stronger I will be braver than ever before
And when things go wrong
I’ll be your conscience there to remind you all of your life
When you go wrong
I’ll be the reason you’ll be protected all of your days

(Banks/Rutherford)


There has always been a dividing line
But you choose, you choose, yes you choose not to see it
And then you wonder why you fall
It cuts through the heart of every city
If you climb to the top of the highest building
You can see where it falls ’cause the streetlights stop
The colours start to change
You hear a voice inside you
Not the words that you wanted to hear
Not the things that you wanted to see hey, hey, hey, hey

In the comfort and safety of your own home
Remember those outside in the cold
And the wind and the rain
And take in your hands a little ray of light
And turn it into a beam that pierces the darkness of the night

There has always been a dividing line
But you choose, you choose, yes you choose not to see it
Sometimes we believe if we close our eyes
The rain might wash it away
That’s why we stumble and we fall
Not the words that you wanted to hear
Not the things that you wanted to see hey, hey, hey, hey

When everything that you hold dear to you
Has finally faded away from your life
The last cold ray of sunshine slowly disappears
Round the corner of the building
And leaves you alone
When darkness covers the city and the streets are silent too
What will you turn to…

(Banks/Rutherford)

A day of uncertain weather
Captured in a frame forever
A face in a faded photograph

He must have had a life
Maybe with a family
People who meant everything to him

A sinner, a saint, a soldier
Caught up in a war he never
Had a chance to start or build a life

All gone long ago
Leaving no trace
Disappearing like smoke in the wind
To become just a face without a name
Leaving no trace
Disappearing like smoke in the wind

Hopes and fears important plans
Forgotten memories
Footsteps fading in the sand, ooh
Schemes and dreams small and grand
Nothing left to see
Footsteps fading in the sand, ooh

Someone who cast a shadow
Maybe just a lazy man
Doesn’t make much difference now it’s true

A day of uncertain weather
Captured in a frame forever
A face in a faded photograph

All gone long ago
Leaving no trace
Disappearing like smoke in the wind
To become just a face without a name
One more to add to the total
Of those never heard of again

Yes he’s gone
Just a face without a name
Leaving no trace
Disappearing like smoke in the wind
All gone
Just a face without a name
Leaving no trace
Disappearing like smoke in the wind…

(Banks/Rutherford/Wilson)


Don’t talk back to me, don’t talk back to me
Don’t talk back to me, don’t talk

Going round in circles, hearing too many points of view
Just words to tire me out, small talk I could do without
I would be amazed if you returned to see things my way
Now that you’ve been disrespectful to my sense of pride

Isn’t it a shame that you were lying when you said to me (small talk)
I was the only one, you and I were meant to be
I expect you’ll never really feel the way that I do
All of this is with regret, I’m sure you will agree

Say something to me, anything at all
I want you to mean what you say
I’ve seen all I want to see, and you mean the world to me
I’ve lived for each moment to be with you, with you, with you

Small talk, small talk, small talk, small talk

You say I don’t talk enough, that applies to both of us
Don’t try to sound me out, something I could do without
So much goes on inside your head, I often wonder
Have you heard enough to know, there’s nothing left to say

Say something to me, anything at all
I want you to mean what you say
I’ve seen all I want to see, and you mean the world to me
I’ve lived for each moment to be with you, with you, with you

Small talk
Small talk
Ooh small talk
That’s all I ever hear
Small talk

I’ll be alright
It may take sometime
But I’ll be alright (don’t talk back to me)
I’ll be alright (don’t talk back to me) (don’t want to be alone, nothing worth to carry on)
I’ll be alright (don’t talk back to me) (try hard to understand, you won’t seem to lend a hand)
I’ll be alright (don’t talk back to me) (without you’ll fail to see, you never spare a thought for me)
I’ll be alright (don’t talk back to me) (so many things you said, going round in circles)
I’ll be alright (don’t talk back to me) (I’ll rise above it all, enough to see another day)
I’ll be alright
I’ll be alright
Don’t talk back to me…

(Banks/Rutherford/Wilson)


You’re no longer part of my life
I must remind myself again
Too much has happened to us to cause each other pain
It’s over now, there’s too much guilt to share
Once there would have been a time for talking and learning

There must be some other way
To get where we have to go
There must be some other way
Please show me another way
Once it would have been so easy, to do what we have to do
There must be some other way
Please show me another way

Are we no more than parts in a play
Letting other people, strangers say our lines?
To think it should come to this, after all these years
What was mine and what should stay behind
Once there would have been a time of sharing, of caring

There must be some other way
To get where we have to go
There must be some other way
Please show me another way
Once it would have been so easy to do what we have to do (there must be some other way)
There must be some other way
Please show me, show me another way…

——

There’s nothing much left to say
We have said it once and said it all again
This time we have gone too far, it could never be the same
It’s time to carry on create new lives
Once we promised we would stay together forever

There must be some other way
To get where we have to go (there must be some other way)
There must be some other way
Please show me another way
Once it would have been so easy to do what we have to do (what we have to do)
You know there must be some other way
Please show me another way
You know there must be another way
Please show me, show me another way (there must be some other way)
You know there must be some other way…

(Banks/Rutherford)


As the buildings crumble, tumble to the ground
And the dust-filled smoke rises in the air
You know that somebody somewhere looks with pride, they’re satisfied

To all who think they know
To everyone that knows that they’re right
D’you ever wonder why
D’you never ask the question even in the depths of night?

Now as the daylight fading ends another day
For too many life will never be the same
And it is all for the reason they will never understand

To all who think they know
To everyone that knows that they’re right
D’you ever wonder why
D’you never ask the question even in the depths of night?

And on the morning after do you realise
See the ruined faces and the ruined lives
Inside your head do you never have the thought a moment of doubt?

To all who think they know
To everyone that knows that they’re right
D’you ever wonder why
D’you never ask the question even in the depths of night?

There are only dreams one like any other
What means the earth to one or few means nothing to another
There are only dreams like any other

Drawing lines upon the sand, on the land, on the sea
Then dying to defend them seems quite meaningless to me

Don’t you know what means the earth to some or only one
Can mean just nothing nothing nothing to another

There are only dreams like any other
There are only differences, worth living but not dying for

One man’s joy makes another man weep
Nothing you can do is ever gonna change it
One man’s saint is another man’s fool
One man’s hot is another man’s cool

And when the war is over, won
Will there be peace for evermore?

Statues carved right out of stone, out of wood, made from gold
Praying for their mercy that won’t save their souls

Don’t you know what means the earth to some or only one
Can mean just nothing nothing nothing to another

There are only dreams like any other
There are only hopes and beliefs one like any other (there are only dreams like any other)
Worth living but not dying for
Living but not dying for not killing for
There are only dreams like any other like any other

To all of those who think that they know
All I can say yes all I can say

One man’s joy makes another man weep
Nothing you can do is ever gonna change it
One man’s saint is another man’s fool
One man’s hot is another man’s cool

There are only dreams like any other
There are only hopes and beliefs, one like any other
There are only dreams like any other…

Traductions

Attention ! Ces traductions ne sont pas des traductions officielles. Elles ont été faites par des fans, et contiennent sans aucun doute des erreurs et des sens faussés. N’hésitez pas à nous le signaler si vous en trouvez. Par ailleurs, les traductions ont été faites sur le principe d’être le plus fidèle possible au texte d’origine, c’est pourquoi le parti pris a été d’utiliser au maximum une traduction de type “mot à mot” afin de pouvoir facilement faire le parallèle avec le texte anglais, ce que n’aurait pas permis une traduction plus littéraire et plus globale. Ces traductions proviennent du site EOAIAO www.genesis-fr.com – Elles sont le fruit de nombreuses heures de travail. Merci de les respecter et de ne pas les reproduire sur vos sites.

(Banks/Rutherford)

Appelant toutes les stations
Est-ce que quelqu’un peut me dire, me dire exactement où je suis
J’ai perdu tout sens d’orientation
Regardant la pénombre m’entourant
Ressentant le froid à travers tout mon corps
C’est pourquoi j’appelle toutes les stations
Dans l’espoir que quelqu’un m’entende
Une simple voix seule

Je sens la sensation disparaître
Il y a un picotement dans mes bras
Et un engourdissement dans mes mains
Toutes les promesses brisées
Toutes mes bonnes intentions ne s’ajoutent pas beaucoup
Et je réalise que quoi qu’il arrive, quoi qu’il arrive
Je me souviens de tous les moments que j’ai gâché dans ma vie
Toutes les choses que j’allais toujours faire
Pourquoi est-ce maintenant, quand c’est trop tard
Que je réalise finalement ce qui est important pour moi
Pour penser que tout ce qui m’est cher
Et qui est toujours dans mon cœur
Peut être pris si simplement
et ça me déchire
Ca va et vient et revient dans mon esprit
Je le revis à chaque secondes

Appelant toutes les stations
Est-ce que quelqu’un peut me dire, me dire exactement où je suis
Comme les choses semblent différentes quand on est seul
Regardant la pénombre tout autour de moi
Tout autour de moi
Et je suis perdu avec le sentiment
De mes bras qui me rappellent
Tout ce qui m’est cher
Peut être pris si facilement
Et ça me déchire
Faisant des va et vient et revient dans mon esprit
Je le revis à chaque secondes

Ne sais-tu pas qu’il n’y a jamais eu un instant
Durant lequel je n’ai pas eu la pensée
Que tout ce qui m’est cher
Et est toujours dans mon cœur
Pouvait être pris si facilement
Et ça me déchire
Faisant des va et vient et revient dans mon esprit
Je le revis à chaque secondes
Alors que je suis assis dans la pénombre
Me sentant si seul
Et tout ce qui m’est cher
Et est toujours dans mon cœur…

(Banks/Rutherford)

Tu dis que je t’enchaîne
mais je ne pense pas que ça soit vraiment vrai
mais si tu veux te libérer de moi
il faudra que tu me perdes dans un autre monde

Envoie-moi au Congo, je suis libre de partir
il y a toujours quelque part où personne ne peut mener
envoie-moi au Congo, il faut que tu crois
que tu peux le faire si tu veux juste faire ce qu’il te plaît

Comme un fourmi-soldat
j’attendrai le signal pour agir
pour marcher à travers la porte
si tu ne me veux plus ici du tout

Envoie-moi au Congo, je suis libre de partir
il y a toujours quelque part où personne ne peut mener
envoie-moi au Congo, il faut que tu crois
que tu peux le faire si tu veux juste faire ce qu’il te plaît

Tu es venue dans mon cœur
et tu as donné un nouveau sens à ma vie
dans mon monde tu as amené une lumière
je pensais qu’elle ne partirai jamais

Envoie-moi au Congo, je suis libre de partir
il y a toujours quelque part où personne ne peut mener
envoie-moi au Congo, il faut que tu crois
que tu peux le faire si tu veux juste faire ce qu’il te plaît

Tu peux m’envoyer au Congo, je suis libre de partir
il y a toujours quelque part où personne ne peut mener
Oui tu peux m’envoyer au Congo, il faut que tu crois
que tu peux le faire si tu veux juste faire ce qu’il te plaît

Je ne serai jamais celui qui dira que tu n’avais pas de raison
De me voir autre part, loin loin au loin
Mais un jour il se peut que tu comprennes, un jour tu verras
que quelqu’un qui peut mourir pour toi est tout ce que j’ai toujours été.

Congo le Congo, si c’est comme ça que ca doit être
Congo le Congo, si c’est ce que tu veux de moi

Je ne serai jamais celui qui dira que tu n’avais pas de raison
De me voir autre part, loin loin au loin
Mais un jour il se peut que tu comprennes, un jour tu verras…

(Banks/Rutherford)

Je suis à un million de kilomètres de n’importe où, où pourrais-je être
Quelque part sur l’océan
Regarde l’horizon, que peux-tu voir
Il n’y a rien là-bas pour moi

Je me sens naufragé, je peux aussi bien être naufragé
Je suis désemparé et seul dérivant sur la mer
Je ne peux pas croire ce que tu disais

Même debout, au coin d’une rue d’une ville très affairée
Je me sens quand même si seul
Pourquoi dis-tu que tu veux être avec moi
Mais le jour suivant tu dis que tu ne veux plus

Je me sens naufragé, je peux aussi bien être naufragé
Je suis désemparé et seul dérivant sur la mer
Je ne peux pas croire ce que tu disais.
Sans toi je me sens naufragé
Mais je ne peux le laisser paraître
Un million de kilomètres de n’importe où, ooh ooh ooh

Est-ce mon imagination
Ou est-ce que ça devient plus sombre, est-ce que les vagues deviennent plus hautes
Je suis à un million de kilomètres de n’importe où
Un million de kilomètres de n’importe quoi que je connaisse

Tu sais, c’est pour ça que je suis naufragé
Je pourrais aussi bien être naufragé
Je suis désemparé et seul, dérivant sur la mer
Je ne peux pas croire ce que tu me disais
Tu sais, c’est pour ça que je suis naufragé, naufragé
Perdant ma direction
S’il te plaît, viens et sauve-moi (naufragé)
Naufragé
Naufragé
Naufragé
Naufragé…

(Banks/Rutherford)

Je me suis réveillé ce matin, tombant du lit
j’ai pensé à retourner encore, mais je suis descendu à la place
J’ai lu le journal du jour, fallait que je connaisse la vérité
J’ai claqué la porte alors que je sortais, j’ai regardé ma montre et j’ai crié
Il faut que je sois à l’heure au boulot
Il faut que je sois à l’heure au boulot

C’est alors que le ciel a viré vers un bleu plus profond
Pas un seul nuage puisque le soleil brillait
Mais tout autour la pluie continuait de tomber sur le sol
Le vent soufflait, mais les arbres ne faisaient pas un bruit
Juste un autre après-midi étranger
Juste un autre après-midi étranger

Il était temps que je parte tant qu’il y avait encore une chance
Avant que je commence à croire en ce que je vois ou entends
Rien ici pour me retenir, rien nulle part
Il faut que je fasse mes bagages avant que je devienne fou
Il faut que je parte dans les temps
Il faut que je parte dans les temps

Alors le ciel vira du bleu au vert
Pris des couleurs que je n’avais jamais vues
Alors un son commença à retentir dans mes oreilles
J’entendais des voix, mais en réalité il n’y avait personne
Juste un autre après-midi étranger
Juste un autre après-midi étranger

Pour retourner de nouveau, là où j’appartiens
Pour sentir de nouveau le vent sur mon visage
Pour voir de nouveau que tout ce que je prenais pour sûr
Tout ce que j’avais quitté et tout ce que je connaissais

Nous sommes chez toi
Nous sommes ton chez toi
Nous sommes tous ton chez toi

Pas un autre après-midi étranger

Plus jamais errer
Jamais laisser mon monde derrière

Il n’y avait pas de raison
De laisser mon cœur et ma maison derrière
Là où je suis né est là où je devrais être maintenant
Je ne serais jamais seul
Je ne serais jamais triste de nouveau

Je voulais aller n’importe où
Je voulais voir à quel point tout ça pouvait être étrange
Plus jamais errer
Jamais laisser mon monde derrière
non, non, non, non
Rien ne me fera plus jamais partir de nouveau, partir de nouveau
non, non, non, non

(Banks/Rutherford/Wilson)

Un petit bout de quelque chose
Tombant doucement en bas, bas bas
Personne ne te comprends comme je le fais

Je ferais mieux d’être derrière toi
Tout ce que nous connaissons si bien
Dis-moi ce que tu ressens maintenant
Montre-moi ce à quoi tu penses

Il n’est plus question de nous à présent
C’est juste à propos des raisons
Pour lesquelles nous pensons combattre
Il n’est pas question de haine
Il n’est pas question de la douleur que nous ressentons
Je sais que nous avons nos problèmes
Mais nous ne sommes pas les seuls
Il n’est pas question de toi, Il n’est pas question de moi
il n’est pas question de colère
Il est plus question de la solitude que nous ressentons

Comment puis-je commencer
à te demander quelques pardons
Pour tout ce que nous avons pris
Il ne reste plus rien maintenant

Juste un petit bout de quelque chose
Tombant doucement en bas, bas bas
Personne ne te comprends non non
Comme je te comprends
Il ne reste plus rien maintenant

Il n’est plus question de nous à présent
C’est juste à propos des raisons
Pour lesquelles nous pensons combattre
Il n’est pas question de haine
Il n’est pas question de la douleur que nous ressentons
Je sais que nous avons nos problèmes
Mais nous ne sommes pas les seuls
Il n’est pas question de toi, Il n’est pas question de moi
il n’est pas question de colère
Il est plus question de la solitude que nous ressentons

Il n’est pas question de toi
Il n’est pas question de haine
Il est plus question de la solitude que nous ressentons, peux-tu la sentir
Il n’est pas question de colère
Ce n’est pas à propos de vouloir
Je sais que nous avons nos problèmes
Mais nous ne sommes pas les seuls, nous ne sommes pas les seuls
Ce n’est pas à propos de toi, ce n’est pas à propos de moi…

(Banks/Rutherford)

Parler nous rend humain, c’est ce qu’on m’a dit
Alors pourquoi est-ce que je trouve si difficile de laisser mes sentiments
éclater au grand jour
Ai-je eu le courage de te dire que je te le promettais

Si c’est ce dont tu as besoin
Je serai la rivière je serai la montagne toujours derrière toi
Si c’est ce dont tu as besoin
Je serai plus fort, je serai plus brave que jamais

Quand tu viens et que tu remues tout
Je me promet que je ne te dirai pas
Tant que nous ne serons pas sur la terre ferme
Tenant une bougie entre nous, Je te dirai ceci

Si c’est ce dont tu as besoin
Je serai la rivière je serai la montagne toujours derrière toi
Si c’est ce dont tu as besoin
Je serai plus fort, je serai plus brave que jamais

Et si il y a n’importe quel sorte de danger
J’entends que tu appelles mon nom
Tu peux me suivre à la trace
Et je te ramènerai sans danger

Je ne t’ai jamais compris, aussi fort que j’ai essayé
Mais cela m’a pris un certain temps pour réaliser
Que tous les problèmes étaient les miens
Te tenant plus près de moi pour te dire ceci

Si c’est ce dont tu as besoin
Je serai la rivière je serai la montagne toujours derrière toi
Si c’est ce dont tu as besoin
Je serai plus fort, je serai plus brave que jamais.
Et quand les choses iront mal
Je serai ta conscience ici, pour te rappeler toute ta vie
Quand tu feras fausse route
Je serai la raison tu seras protégé pour tous tes jours

(Banks/Rutherford)

Il y a toujours eu une ligne de division
Mais tu choisis, tu choisis, oui tu choisis de ne pas la voir
Et alors tu te demandes pourquoi tu tombes
Elle coupe à travers le cœur de chaque ville
Si tu grimpes jusqu’au somment du plus haut building
Tu peux voir où elle est parce que la lumière des rues s’arrête
Les couleurs commencent à changer
Tu entends la voix à l’intérieur de toi
Pas les mots que tu voulais entendre
Pas les choses que tu voulais voir hey, hey, hey, hey

Dans le confort et la sécurité de ton chez toi
Rappelle-toi de ceux qui sont dehors, dans le froid
Et le vent et la pluie
Et prend dans tes mains un petit rayon de lumière
Et transforme-le en un faisceau qui perce à travers la noirceur de la nuit

Il y a toujours eu une ligne de division
Mais tu choisis, tu choisis, oui tu choisis de ne pas la voir
Parfois, nous croyons quand on ferme nos yeux
Que la pluie va laver tout ça
C’est pour ça que l’on trébuche et que l’on tombe
Pas les mots qu’on voulait entendre
Pas les choses qu’on voulait voir hey, hey, hey, hey

Quand tout ce qui t’es cher
A finalement disparu de ta vie
Le dernier rayon froid du soleil disparaît lentement
Autour des coins du building
Et te laisse seul
Quand l’obscurité recouvre la ville et que aussi les rues sont silencieuses
Que vas-tu devenir…

Contenu (Banks/Rutherford)

Un jour de temps incertain
Capturé dans un cadre pour toujours
Un visage dans une photo pâlie

Il devait avoir une vie
Peut-être une famille
Des gens qui étaient tout pour lui

Un pêcheur, un saint, un soldat
Pris dans une guerre il n’a jamais
eu la chance de démarrer ou construire une famille

Tout est parti il y a bien longtemps
Ne laissant aucune trace
Disparaissant comme la fumée dans le vent
Pour devenir juste un visage sans nom
Ne laissant aucune trace
Disparaissant comme la fumée dans le vent

Espoirs et peurs, plans importants
Souvenirs oubliés
Traces de pas s’effaçant dans le sable, ooh
projets et rêves, petits et grandioses
Il ne reste plus rien à voir
Traces de pas s’effaçant dans le sable, ooh

Quelqu’un qui projette une ombre
Peut-être juste un homme faignant
Ca ne fait pas beaucoup de différences maintenant, c’est vrai

Un jour de temps incertain
Capturé dans un cadre pour toujours
Un visage dans une photo pâlie

Tout est parti il y a bien longtemps
Ne laissant aucune trace
Disparaissant comme la fumée dans le vent
Pour devenir juste un visage sans nom
Un de plus à ajouter au total
De ceux dont on n’entendit plus jamais parler

Oui il est parti
Juste un visage sans nom
Ne laissant pas de traces
Disparaissant comme la fumée dans le vent
Tout est parti
Juste un visage sans nom
Ne laissant pas de traces

(Banks/Rutherford/Wilson)

Ne me réponds pas, Ne me réponds pas
Ne me réponds pas, Ne parle pas

Faisant des ronds, écoutant beaucoup trop de points de vue
Juste des mots pour me fatiguer, des banalités dont je pourrais me passer
Je serais impressionné si tu te venais à voir les choses comme moi
Maintenant que tu as été irrespectueux envers mon sens de l’honneur

N’est-ce pas une honte que tu m’ais menti quand tu m’as dit (banalité)
J’étais le seul, toi et moi signifiait quelque chose
Je suppose que tu ne ressentiras vraiment jamais ce que je ressens
Tout cela c’est avec des regrets, je suis sûr que tu seras d’accord.

Dis-moi quelque chose, n’importe quoi
Je veux que tu penses ce que tu dis
J’ai vu tout ce que je voulais voir et tu représentes le monde pour moi
J’ai vécu chaque moment pour être avec toi, avec toi, avec toi

Banalité, banalité, banalité, banalité

Tu dis que je ne parle pas assez, c’est vrai pour tous les deux
n’essaye pas de me sonder, quelque chose dont je pourrais me passer
Tellement de choses se passent dans ta tête, je me demande souvent
as-tu assez écouter pour savoir qu’il ne reste rien à dire

Dis-moi quelque chose, n’importe quoi
Je veux que tu penses ce que tu dis
J’ai vu tout ce que je voulais voir et tu représentes le monde pour moi
J’ai vécu chaque moment pour être avec toi, avec toi, avec toi

Banalité
Banalité
Ooh, Banalité
C’est tout ce que j’ai jamais entendu
Banalité

Je vais aller bien
Ca prendra peut être du temps
Mais je vais aller bien (ne me réponds pas)

Je vais aller bien (ne me réponds pas)
(ne veux pas être seul, rien ne vaut de continuer)

Je vais aller bien (ne me réponds pas)
(essaye dur de comprendre, tu ne sembles pas vouloir me donner la main)

Je vais aller bien (ne me réponds pas)
(sans tu ne verras plus, tu gâcheras pas une pensée pour moi)

Je vais aller bien (ne me réponds pas)
(tellement de choses que tu dis, faisant des ronds)

Je vais aller bien (ne me réponds pas)
(Je vais briller au delà de tout ça, assez pour voir un autre jour)

Je vais aller bien
Je vais aller bien
Ne me réponds pas…

(Banks/Rutherford/Wilson)

Tu ne fais désormais plus partie de ma vie
Je dois me rappeler encore
Que trop de choses nous sont arrivées pour causer de la douleur à l’autre
C’est fini maintenant, il y a trop de culpabilité à partager
Autrefois il y aurait eu du temps pour parler et apprendre

Il doit y avoir un autre chemin
Pour aller là où on doit aller
Il doit y avoir un autre chemin
S’il te plaît, montre-moi un autre chemin
Autrefois il aurait été si facile de faire ce que nous avions à faire
Il doit y avoir un autre chemin
S’il te plaît montre-moi un autre chemin

Ne sommes-nous plus que des parties dans un jeu
Laissant les autres personnes, étrangères dire nos lignes?
Pour penser que ça devait en arriver là, après toutes ces années
Qu’est-ce qui était mien et qu’est ce qui devrait rester derrière
Autrefois il y aurait eu du temps pour partager et faire attention

Il doit y avoir un autre chemin
Pour aller la où on doit aller
Il doit y avoir un autre chemin
S’il te plaît, montre-moi un autre chemin
Autrefois il aurait été si facile de faire ce que nous avions à faire (il doit y avoir un autre chemin)
Il doit y avoir un autre chemin
S’il te plaît montre-moi un autre chemin…

Il ne reste plus rien à dire
Nous l’avons dit une fois et dit tout encore
Cette fois nous sommes allé trop loin, ça ne pourra jamais être pareil
Il est temps de continuer et créer de nouvelles vies
Autrefois nous avons promis que nous resterions ensemble pour toujours

Il doit y avoir un autre chemin
Pour aller là où on doit aller (il doit y avoir un autre chemin)
Il doit y avoir un autre chemin
S’il te plaît, montre-moi un autre chemin
Autrefois il aurait été si facile de faire ce que nous avions à faire (ce que nous avions à faire)
Tu sais il doit y avoir un autre chemin
S’il te plaît montre-moi un autre chemin
Tu sais il doit y avoir un autre chemin
S’il te plaît montre-moi un autre chemin (il doit y avoir un autre chemin)
Tu sais il doit y avoir un autre chemin…

(Banks/Rutherford)

Alors que les bâtiments s’écroulent, chutent sur le sol
Et que la fumée remplie de poussière s’élève dans l’air
Tu sais que quelqu’un, quelque part regarde avec fierté, ils sont satisfait

À tous ceux qui pensent qu’ils savent
À tous ceux qui savent qu’ils ont raison
Vous êtes-vous déjà demandé pourquoi
Vous êtes-vous déjà posé la question même dans les profondeurs de la nuit?

Maintenant alors que la lumière du jour disparaissant finie un autre jour
Car trop de vies ne seront plus jamais les mêmes
Et c’est pour toute la raison qu’ils ne comprendront jamais

À tous ceux qui pensent qu’ils savent
À tous ceux qui savent qu’ils ont raison
Vous êtes-vous déjà demandé pourquoi
Vous êtes-vous déjà posé la question même dans les profondeurs de la nuit?

Et le lendemain matin, réalisez-vous
voyez-vous les visages détruits et les vies détruites
Dans vos têtes, n’avez-vous jamais la pensée d’un moment de doute?

À tous ceux qui pensent qu’ils savent
À tous ceux qui savent qu’ils ont raison
Vous êtes-vous déjà demandé pourquoi
Vous êtes-vous déjà posé la question même dans les profondeurs de la nuit?

Il y a seulement des rêves, un comme n’importe quel autre
Ce que signifie la terre pour un ou peu, ne signifie rien à un autre
Il y a seulement des rêves comme n’importe quel autre

Dessinant des lignes sur le sable, la terre, la mer
Et mourir pour les défendre me semble assez sans aucun sens

Ne savez-vous pas que ce que signifie la terre pour quelques un ou seulement un
peut signifier seulement rien rien rien pour un autre

Il y a seulement des rêves comme n’importe quel autre
Il y a seulement des différences qui valent la peine de vivre et pas de mourir pour elles.

La joie d’un homme fait pleurer un autre
Rien que tu puisses faire ne pourra jamais changer ceci
La bonté d’un homme est la bêtise d’un autre
La chaleur d’un homme est la froideur d’un autre

Et quand la guerre est finie, gagnée
Y aura t’il la paix à jamais?

Des statues sculptées directement dans la pierre, le bois, faites d’or
Priant pour leur pitié qui ne sauvera pas leurs âmes

Ne savez-vous pas que ce que signifie la terre pour quelques un ou seulement un
peut signifier seulement rien rien rien pour un autre

Il y a seulement des rêves comme n’importe quel autre
Il y a seulement des espoirs et des croyances comme n’importes quelles autres (il y a seulement des rêves comme n’importe quel autre)
Valant la peine de vivre mais pas de mourir pour eux
Vivre, mais pas mourir, pas tuer pour eux
Il y a seulement des rêves comme n’importe quel autre, n’importe quel autre

À tous ceux qui pensent qu’ils savent
Tous ce que je peux dire, oui tout ce que je peux dire

La joie d’un homme fait pleurer un autre
Rien que tu puisses faire ne pourra jamais changer ceci
La bonté d’un homme est la bêtise d’un autre
La chaleur d’un homme est la froideur d’un autre

Il y a seulement des rêves comme n’importe quel autre
Il y a seulement des espoirs et des croyance comme n’importes quelles autres
Il y a seulement des rêves comme n’importe quel autre…

Infos générales

Ray Wilson – Chant
Tony Banks – Claviers
Mike Rutherford – Guitares

Batteries : Nir Zidkyahu sauf sur les plage 4 (première moitié), 6, 8 et 9 – Nick D’Virgilio

Enregistré à The Farm, Surrey.
Producteur : Nick Davis, Tony Banks et Mike Rutherford
Ingénieurs du son : par Nick Davis et Ian Huffam
Assisté par Ian Huffam

Sorti en Septembre 1997

Singles:
Septembre 97 – Congo/Papa he said/Banjo man
Decembre 97 – Shipwrecked/No son of mine (live)/Lover’s leap (live)/Turn it on again (live)
Février 98 – Not about us/Dancing with the moonlit knight (live)/Follow you, Follow me (live)

WhiteWinter

4/5

“L’un anglais, l’autre espagnol… Ant fait encore un pied de nez aux maisons de disques qui attendent de lui de la musique commerciale, comme indiqué dans la vignette sur le dos du livret… Ici, deux ou trois chansons, les très belles reprises “Lucy : an illusion” et “She’ll be waiting” (toutes deux des “Private parts & pieces” II et IX), sinon rien que de la belle musique aérienne et planante essentiellement à base de claviers (“Peggy in the skies without diamonds”, “The agent Mulder never resolves a single case”) mais surtout cette fantastique suite de plus de tentre-cinq minutes qui donne son nom à l’album. Ce dernier reste assez difficile à trouver malheureusement. A écouter à tête reposée en plein été.”

Tracklist

Infos générales

Sorti en 1996

Anthony Phillips : guitares, claviers
Guillermo Cazenave : guitares, claviers

Produit par Anthony Phillips et Guillermo Cazenave

octopus92

0/5

Recommandé : enregistré entre 1992 et 1995, dans la lignée des PP&P précédents.

Tracklist

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

She would have wanted you to make it
She would have wanted you to be strong
She would have hoped that you could take it
And fill your days with sweeter songs
 
And though it seems right now that you can’t go on
You find the strength somehow to get through
For it will all make sense in the final hour
She’ll be waiting for you
 
She would have wanted you to live it wild
And take the fruit from life’s rich tree
She would have hoped that you could teach her child
All the things that she believed
 
And though it seems right now that you can’t go on
You find the strength somehow to get through
For it will all make sense in the final hour
She’ll be waiting for you
 
The sun is setting now, the road’s ahead
It may be full of twists and snares
And you will always think of things she said
And see her face in a thousand stares
 
 And though it seems right now that you can’t go on
You find the strength somehow to get through
For it will all make sense in the final hour
She’ll be waiting for you

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

Infos générales

Sorti en novembre 1996

Anthony Phillips : guitares, claviers, chant (8)
Quique Berro Garcia : guitare classique (11, 12, 13, 16)

octopus92

3/5

“Album hommage à son ancien groupe, peut-être le plus controversé de sa carrière solo.

La présence de très nombreux invités prestigieux fait que, malheureusement, chaque morceau reste attaché aux musiciens qui l’ont enregistré.

Certains titres sont fidèles aux originaux (ceux chantés par John Wetton par exemple ou bien “For absent friends”), d’autres revisités avec succès (“Los endos”, une version improvisée de “Waiting Room”, “Your own special way” avec un Paul Carrack souverain au chant) mais malheureusement deux titres sont catastrophiques : “The Fountain Of Salmacis” chanté par Steve dans un registre lui allant mal et “I know what I like” dans une version jazz pouvant prêter à sourire mais bel et bien hors-sujet.

Les trois morceaux inédits sont pourtant assez réussis (dont un écrit à l’époque de Genesis) mais l’éclectisme, habituellement une marque de qualité chez Steve apparait ici comme un manque flagrant de goût et de cohérence.”

Tracklist

Infos générales

Sorti en 1997

Steve Hackett : guitares, chant, choeurs, harmonica, percussions, orchestration
John Wetton : basse (5), chant (1, 5)
Bill Bruford : batterie (1, 5), percussions (5)
Tony Levin : basse (1)
Julian Colbeck : claviers (1, 8)
Chester Thompson : batterie (2, 8, 11)
Alphonso Johnson : basse (2, 8)
Will Bates : saxophone (2, 9, 10)
Nick Magnus : claviers et programmation (3)
Jerry Peal : claviers et programmation (3)
Hugo Degenhardt : batterie (3, 9, 11)
Paul Carrack : chant (4)
Pino Palladino : basse (4, 11)
Roger King : claviers (4, 9, 11), programmation (9, 11), percussions (vibes) (10)
The Sanchez Montoya Chorale (4, 9)
Ben Fenner : claviers (5), programmation (5), orchestration
Colin Blumstone : chant (6)
Aron Friedman : claviers, programmation (7), pianoforte (10)
Richard Mac Phail : choeurs (7)
Jeanne Downs : choeurs (7)
Richard Wayler : choeurs (7)
John Hackett : flûte (8)
Tarquin Bombast : batterie (10)
Ian Mc Donald : saxophone et flûte (11)

Produit par Steve Hackett

Seb

5/5

Excellente compilation. Rien à dire. Version géniale de All I Need Is A Miracle.

Tracklist

1 : All I Need Is A Miracle ’96
2 : Over My Shoulder
3 : Word Of Mouth
4 : The Living Years
5 : Another Cup Of Coffee
6 : Nobody’s Perfect
7 : Silent Running
8 : Nobody Knows
9 : Get Up
10 : A Time And Place
11 : Taken In
12 : Everybody Gets A Second Chance
13 : A Beggar On A Beach Of Gold

Infos générales

Compilation

Sorti en 1996

Seb

4/5

Quatre étoiles ! Oui, ça peut paraître beaucoup, mais trois c’était insuffisant. PC est de retour, il a quitté Genesis, il va bien, il est joyeux et ça s’entend. Trop content de pouvoir rejouer de la batterie (il pensait ne plus pouvoir en jouer après avoir joué pendant la tournée Both Sides avec un poignet cassé (il a dit souffrir le martyr chaque fois qu’il frappait la caisse claire et je le crois !). Son médecin lui avait dit que l’os était mort), il a tout joué sur une vraie batterie et pas une seule BAR sur ce disque ! Ça sonne parfois très PC (That’s what you said, Love Police, Oughta know by now) mais rien de bien embêtant. Dance into the light, la chanson titre est une bombe, pareil pour Lorenzo et d’autres comme River so Wide). Lorenzo justement, écrit en hommage à un gamin Africain atteint d’Adrenoleucodystrophie et dont la mère a envoyé les paroles à PC pour qu’il en fasse une chanson. PC a sorti de ses tiroirs des rythmes africains (ça s’entend aussi sur River so wide, d’ailleurs, on a la même impression sur la BO de Tarzan). Au milieu de tout ca, on a deux ballades superbes : It’s in your eyes et surtout The same moon. On trouve aussi une bonne petite chanson qui bouge bien (Take me down) ainsi qu’une chanson rigolote : Wear my hat. Pour finir, PC fait une très belle reprise du classique de Bob Dylan : The times they are a-changin’. En le réorchestrant et en jouant de la cornemuse dessus. Sacrilège pour certains, pas pour moi.

Tracklist

(Collins)

It’s there in the eyes of the children
In the faces smiling in the windows
You can come on out, come on open the doors
Brush away the tears of freedom

Now we’re here, there’s no turning back
We have each other
We have one voice

Hand in hand we will lay the tracks
Because the train is coming to carry you home

Come dance with me
Come on and dance into the light
Everybody dance into the light

There’ll be no more hiding in shadows of fear
There’ll be no more chains to hold you
The future is yours – you hold the key
And there are no walls with freedom

Now we’re here, we won’t go back
We are one world
We have one voice

Side by side we are not afraid
Because the train is coming to carry you home

Come dance with me
Come on and dance into the light
Everybody dance into the light

Do you see the sun – it’s a brand new day
Oh, the world’s in your hands, now use it
What’s past is past, don’t turn around
Brush away the cobwebs of freedom

Now we’re here, there’s no turning back
You have each other
You have one voice

Hand in hand you can lay the tracks
Because the train is coming to carry you home

Come dance with me
Come on and dance into the light
Everybody dance into the light

(Collins)


I remember the night you weren’t at home
Had to work late is what I heard
That’s what you said
I can never forget the way it felt,
you needed some time to work it out,
that’s what you said
and now I feel a fool.

‘Cos late at night I call your name,
I’m wondering what for,
‘cos I’ve seen those other guys
sniffin’ around your door.

Whatever happened to the words
‘Lovers for all eternity?’
That’s what you said,
I was your Romeo, you were my Juliet,
eternally
that’s what you said
and now I feel a fool.

‘Cos late at night I hear your voice
calling out my name,
oh I know it’s just a dream
but every night’s the same.

I carried a torch for you, through the thick and thin
you know it don’t seem right that I won’t see you again
No no

Late at night I call your name,
I’m wondering what for,
‘cos I keep seeing those other guys
sniffin’ around your door.

I carried a torch for you through the wind and rain
I’ll never forget you, but I won’t see you again
No no

I thought your friends all liked me
I thought I fitted in just right,
that’s what you said.
Soon I’ll be gone and you’ll be free,
you can go find the things that you want.
That’s what you said
and I won’t feel a fool

‘cos late at night I still call your name,
I’m wondering what for,
‘cos I keep seeing those other guys
sniffin’ around your door.

What for?

(Music – Collins/Lyrics – Michaela Odone)
Once upon a time I made a lion roar –
he was sleeping in the sunbeams on the old zoo floor.
I had gone to see the park where my papa used to play,
it’s called called Villa Borghese and it’s on the way
to East Africa.

Down on Grand Comoro Island, where I grew past four,
I could swim and fish and snorkel on the ocean floor,
and the wind laughed, and the wind laughed through the trees as if to say,
here’s a child who’ll want the world to go his way
in East Africa, in East Africa.

Suddenly for me the world turned upside down –
far from my friends the lions and the dolphins came this awful sound.

Dark shadows, sounds of thunder raging over me,
came this monster called ‘A-dre-no-leu-ko-dys-tro-phy’
Where’s my East Africa?

Well they said, they said, they said (the ones who know it all)
they said from now on for you there will be no more standing tall,
so I took my parents’ hands, I lifted my head to say
I’ll just have to be a hero, there’s no other way!
Back to East Africa
Back to East Africa
Back to East Africa
Come with me I’m going back, going back to East Africa.

(Collins)
Father comes home ‘cos his money’s run out –
seems a little loose tonight, he starts to shout.

Dinner’s not on the table, seems mother’s not able,
she’s staring at the TV.

You can smell it on his breath, feel it in his touch,
he never meant to hit her hard, but he’s like that when he’s had too much.

It’s just another story ’bout going too far,
it’s just another story ’bout going too far.

Well the kid’s at school, she’s getting good grades,
but the peer pressure’s starting now – too bad, she had it made.

Seems there’s always someone trying to push you to do something, you know, ain’t the way they told you to –
it’s hard to see
the things you taught her, how to be, it’s like you told her nothing, selective memory.

Come on try it, it’s just a smoke, ain’t gonna kill you, so she takes a toke –
fade to grey.

It’s just another story ’bout going too far,
it’s just another story ’bout going too far.

Well the guys at work seemed OK, they’d buy you a drink, get you laid, what’s wrong with that?

Why’d they have more money than you, expensive cars, expensive clothes, d’you ever think of what they do?

At night they’re out, shakin’ people down, when they’re walking together seems they own the town.

But hey, who’s gonna talk, you are their alibi, don’t turn around, don’t ask questions, just walk –

It’s just another story ’bout going too far,
it’s just another story ’bout going too far.

(Collins)

Sometimes I lie awake, wondering if I’ll make it out of here,
but the wind blows round my heels, so I stay
I remember lying there, wishing I could be someone else
trying to find somehow to get away.

If I asked him nicely d’you think he’s show me how to fly,
‘cos the dust has weighed my wings down, and I’m too tired to try.

Sometimes I sit here hearing voices in my head
I try to understand, to make some sense.
I wonder if I had to, would I lie to save myself?
A plea of guilty, but self defence.

If I asked him nicely d’you think he’d show me how?
I’m sure he’s out there listening, but he’s too tied up right now to try

Try, all of my sins
‘cos I can’t stop now,
just don’t leave me behind.

Sometimes I lie awake, wondering if I’ll get out of here,
but the words stick in my throat and I stay.
I remember lying there, wishing I could be someone else,
trying to find somehow to get away

If I asked him nicely d’you think he’s show me how to fly,
‘cos the dust has weighed my wings down, and I’m too tired to try.

(Collins)

She came looking for me with her arms open wide,
like some long lost friend of mine.

She said ‘Excuse me, but do you remember me ?’
I said ‘No, I don’t believe I do’
So she looked me up and down
and undressed me with her eyes,
then she said ‘You’ve got everything I need, you’ve got everything I want’

So I said ‘OK,

you can wear my hat,
you can have my coat,
you can take my shirt
‘cos I don’t need it.
You can wear my shoes,
you can take my socks,
come on take my bag it’s yours

If you love it,
you can have it if you love it,
ain’t no problem if you love it,
come on take it if you love it.

So her friend came up to me
with a pen and paper in her hand,
expressing some interest in the number of my room,
She said ‘Excuse me, but do you remember me? ‘
I said ‘No,’ she said ‘Can I appeal to you?’

So I looked her up and down
and realising her insinuations I blushed
she said ‘Listen babe you don’t know me,
no you don’t know me but you owe me,

and I love you,
yes I love you,
put your arms around me ‘cos I love you,
I got all your records and I love you’

So I suggested

you can wear my hat,
you can have my coat,
you can take my shirt
‘cos I don’t need it.
You can wear my shoes,
you can take my socks,
come on take my bag it’s yours

If you love it,
you can have it if you love it,
ain’t no problem if you love it,
come on take it if you love it.

Well later on that day this guy came to me
with a scrap of paper in his hand
he said ‘Hey buddy can you sign your name for me?’
I said ‘Why, do I owe you money?’ He said ‘No’
I said ‘Listen pal do I know you? Have we ever met?
Why do you want my name on this little piece of paper?

He said ‘I love you,
I don’t know you but I love you,
like my brother I love you,
put your arms around me ‘cos I love you’

I said ‘Hey let’s not rush things

you can wear my hat,
you can have my coat,
you can take my shirt
‘cos I don’t need it.
You can wear my shoes,
you can take my socks,
come on take my bag it’s yours

If you love it,
you can have it if you love it,
ain’t no problem if you love it,
come on take it if you love it.

You can wear my hat,
You can wear my hat,
You can wear my hat,
Come on wear my hat.’

(Collins)

It’s in your eyes,
the love you hide away.
You can’t disguise
the things you feel, the thing you say

If you just call my name
any time at all, I’ll be there.

I don’t know why,
the way you’re falling away from me.
I can’t describe
it’s how it feels, it’s what I see.

If you just call my name
anytime at all,
anytime at all,
anytime at all, I’ll be there.

I look around, all I see is you
but you gotta tell me that you want me too.
Look at me, you’re all that I need, it’s true.

I’m here, just call my name
anytime at all, I’ll be there.

I look around, all I see is you
but you gotta tell me that you want me too.
Look at me, you’re all that I need, it’s true.

I can’t disguise
the love I wait for you to share
I can’t deny
if you reach out and touch my hand it’s there.

Or just call my name,
anytime at all,
anytime at all,
anytime at all, I’ll be there.

(Collins)

You oughta know by now
that a man can’t hold on forever,
so why do you keep waiting here
when you know it makes me want you more?

You oughta know by now
how it fells to be loved,
so why d’you keep me hanging here,
with this stone around my heart, dragging me down, down, down

when all I’m trying to do is trying to get next to you, let me in, let me in.

You oughta know by now
or maybe someone should show you
that a man needs to be loved
and even in this man’s world
with you it don’t come easy

You oughta know by now
that no man can sleep at night
with a burning in his heart
that would tear this man apart
take me out of my misery,

‘cos all I’m trying to do is trying to get next to you, let me in, let me in.

You oughta know by now
just how good it feels to be wanted,
and no man could love you more,
so why can’t you show me something,
just a little bit of something?

You oughta know by now
all the things a man has to do in his life,
and all these things I do
you know that I do it all for you, I do it all for you.

‘Cos all I’m trying to do is trying to get next to you,
yes all I’m trying to do is trying to get next to you.

Let me in, let me in,
Let me in your heart.

(Collins)

Seems I’ve lingered too long in the darkness
unlock the door, turn the light on and wait.
I should know better than to rest on a promise
but this body before you has seen too much pain.

Take me down, take me down to the water,
take my hand, learn me all I should know.
Here I am, I’m waiting for you
just give me a sign, oh feet please don’t fail me now.

It’s at this time we feel the emotion,
nothing is wasted, nothing is lost.
I’m sure that I’ve been here before sometime
some bridges are reached but never are crossed.

Take me down, take me down to the water,
take my hand, learn me all I should know.
Here I am, I’m waiting for you
just give me a sign, oh feet please don’t fail me now.

Take me down, take me down to the water,
take my hand, learn me all I should know.
Here I am, I’m waiting for you
just give me a sign, oh feet please don’t fail me now.

Don’t fail me now
‘cos it’s out of my control.
I’m coming with you,
I’m right beside you,
oh feet don’t fail me now.

Seems I’ve lingered too long in the darkness
unlock the door, turn the light on and wait.
I should know better than to rest on a promise
but this body before you has seen too much pain.

Take me down, take me down to the water,
take my hand, learn me all I should know.
Here I am, I’m waiting for you
just give me a sign, don’t let me go.
Take me down, take me down to the water,
take my hand, learn me all I should know.
Here I am, I’m waiting for you
just give me a sign, oh feet please don’t fail me now.

(Collins)

When the daylight comes and I look across the room,
I see you’re gone.
As the morning breaks and I reach to hold your hand
I can see, see I’m the only one.
Well, your clothes are gone and your bags are packed
but the bed’s still warm where you lay
now I need your love to come shining through
to carry me, come carry me away.

If you choose a time, I’ll catch the moon
I’ll see you there
from wherever I am, wherever you are
we’ll find somewhere.
I see the same stars in the same sky
shining down on you,
I’ll be looking up from wherever I am
and it’s you I’ll see if you’re looking too.

There’ll be days that’ll seem much longer,
some nights will seem so cold,
But I see hope on the horizon
and it’s gotta come soon – please don’t be too long,
don’t be too long.

If you choose a time, we can catch the moon
I’ll see you there
Whenever it is, from wherever you are
oh we’ll find, yes we’ll find somewhere.
are you looking at the same moon?

(Collins)

If we can cross at the place that divides us.
cross the river, the river so wide,
if we can smother the pain that’s inside us,
deny the demons that wait by our side,
we can find, find the light

Our nights are filled with the light of the same moon,
we share the comfort of the same stars.
Our days are bright with the light of the same sun,
that don’t matter, can’t you see what we are,
what we are, what we become?

Keep our sights on the way ahead,
don’t look back, it won’t help us now.
The storm we left so far behind
seems a dark memory that starts to fade,
but till we see the light we will not be safe.

We all sink or swin in the same ocean,
break our skin and we will bleed
our minutes pass with the same motion,
we face the same danger, we share the same needs,
we’re all the same, you and me.

Keep our sights on the way ahead,
don’t look back, that won’t help us now.
Upstream, the river gets too wide
so we must build that bridge right here,
‘cos if we wait we will not reach the other side.
See under that clear blue sky
the winds of change are blowing hard and long,
and they’ll not stop to rest ‘cos the change is gonna come

Our nights are filled with the light of the same moon,
we share the comfort of the same stars.
Our days are bright with the light of the same sun,
that don’t matter, can’t you see what we are,
what we are, what we become?

Keep our sights on the way ahead,
don’t look back, it won’t help us now.
‘cos upstream the river gets too wide
and if we don’t build that bridge right here, right now,
you know we’ll never ever reach the other side.

(Collins)

Well it’s a long, long road when you’re out there alone,
no matter what side you’re on,
but there’s a heart of gold behind the smile
and it brought me to where I belong.

‘Cos I’d set my sights on finding you
and I’m staying forever, you know it’s true
Yes I’d set my sights on finding you
don’t be lonely tonight, we can make it alright

No matter what you say,
no matter who you are,
love always finds a way
finds a way to your heart.

Well it’s a cold lonely road, but you can survive
no matter which way you choose,
and as long as there’s life behind these eyes
I’m here with you, win or lose.

If you let your light shine on through
someone will come round to pull you through,
yes just let your light shine on through,
don’t be lonely tonight, you can make it alright.

Just hold my hand,
come with me a while, I’ll make you smile.
Just hold my hand
there’s someone who loves you, it’s me, oh it’s me.

No matter what you say,
no matter who you are,
love always finds a way
finds a way to your heart.

It’s alright that you cry if you’re lonely sometime,
no matter who’s by your side,
‘cos the love that you look for is inside us all,
but it’s something you have to find

And I’d set my sights on finding you
and I’m staying forever, you know it’s true.
Yes I’d set all my sights on findingyou
don’t be lonely tonight, we can make it alright.

No matter what you say,
no matter who you are,
love always finds a way
finds a way to your heart.

(Bob Dylan)

Come gather ’round people wherever you roam,
and admit that the waters around you have grown,
and accept it that soon you’ll be drenched to the bone
if your time to you is worth savin’
then you better start swimmin’
or you’ll sink like a stone
for the times they are a-changin’

Come writers and critics who prophecise with your pen
and keep your eyes wide,
the chance won’t come again,
and don’t speak too soon
for the wheel’s still in spin
and there’s no tellin’ who
that it’s namin’
for the loser now
will be later to win
for the times they are a-changin’

Come senators, congressmen,
please heed the call
don’t stand in the doorway,
don’t block the hall,
for he that’ gets hurt
will be he who has stalled,
there’s a battle
outside and it’s ragin’
it’ll soon shake your windows
and rattle your walls
for the times they are a-changin’

Come mothers and fathers
throughout the land,
and don’t criticize
what you can’t understand
your sons and your daughters
are beyond your command,
your old road is rapidly agin’,
please get out of the new one
if you can’t lend your hand
for the times they are a-changin’

The line it is drawn,
the curse it is cast,
the slow one now will
later be fast,
as the present now
will later be past
the order is rapidly fadin’
and the first one now
will later be last
for the times they are a-changin’

Extra Moves - Disque Bonus

1 : Dance into the light (Live)
2 : Just Another Story (Live)
3 : Wear My Hat (Live)
4 : River So Wide (Live)
5 : Take Me Down (Live)
6 : Lorenzo (Demo)
7 : That’s What You Said (Demo)
8 : Another Time
9 : It’s Over
10 : I Don’t Want To Go

Infos générales

Produit par Phil Collins & Hugh Padgham
Ingénieur du son Hugh Padgham
Assistant : Simon Osborne
Mixé par Hugh Padgham & Phil Collins

“Il n’y a pas de boite à rythme sur celui là !!”

Sorti en Octobre 1996

Singles:
Septembre 96 Dance into the light/Take me down
Decembre 96 It’s in your eyes/Don’t want to go
Juillet 97 Wear my hat

octopus92

0/5

Recommandé : compilation officielle éditée par Alan Hewitt, fan de longue de date de Genesis.

Excellent résumé pour découvrir la discographie solo d’Anthony avec 17 morceaux couvrant toutes les facettes du musicien.

Tracklist

Infos générales

Sorti en octobre 1995